Tokyo Film Festival 2025: Journey into Sato Tadao
We talk to Japan’s preeminent film critic as a documentary about him premieres at Tokyo’s premier festival.
We talk to Japan’s preeminent film critic as a documentary about him premieres at Tokyo’s premier festival.
An editor shares some great clips of Siskel & Ebert.
“The Seduction” is about vicious paybacks and the scandals of libertine life, but without visceral sexiness or savvy.
An event with director Gabe Polsky, subject Patrick McCollum and publisher Chaz Ebert at the AMC River East.
It is mostly a one-woman show, run by a phenomenally sharp Seehorn.
An interview with the writer-director and star of MUBI’s latest relationship drama.
The writer-director talks about mining painful history for maximum pathos in his historical courtroom drama.
“Stumble” gets a high score, thanks to it mostly resisting easy/dumb jokes in favor of surprising and warm ones.
The Iranian filmmaker talks about her harrowing Cannes documentary and how to remember the film’s beloved late subject.
The Chicago Cultural Center honors fifty years of Siskel & Ebert with a series of repertory screenings.
An interview with the filmmaker behind the psychedelic short.
A preview of the 2025 Black Harvest Film Festival.
A review of the newest entry in the hit series, Pokemon.
The 2025 version of Red Sonja was buried by its producers. Let’s resurrect it.
Even when the plot falters, “Robin Hood” is a rare series that emulates its time period with ease with its visual and musical feats.
An interview with the breakout performer from Spike Lee’s latest joint.
A report on the Criterion Mobile Closet’s visit to Chicago.
It’s a show for the self-obsessed, the image-centric, and the painfully irresponsible. In that respect, it might capture its setting and cohort perfectly.
Season 4 continues the sprawl that has made “The Witcher” feel less like a gritty fantasy slash-em-up and more like homework.