HBO’s Our Boys is the Slack Re-examination of an Israeli-Palestinian True-Crime Story
A review of the limited series Our Boys, which premieres tonight on HBO.
Archives
AMC’s The Terror: Infamy Weaves Ghost Story Through Tragic Chapter in Human History
A review of AMC’s The Terror: Infamy, premiering August 12th.
20 Years of Steven Soderbergh’s The Limey
The Limey is the point when Soderbergh confidently admitted his comfort zone is the genre film.
Netflix’s Wu Assassins is a Stunning Showcase for Rising Martial Arts Star Iko Uwais
A review of Netflix’s new martial arts series Wu Assassins, which premiere on August 8.
HBO’s Acerbic Marvel Succession Returns in Top Form in Season Two
A review of the second season of Succession, which premieres August 11 on HBO.
Toni Morrison: 1931-2019
A tribute to the towering novelist of the Black experience, Toni Morrison, who died on August 5th at age 88.
Taika Waititi to be Honored with the Ebert Director Award at TIFF Tribute Gala
An article about New Zealand filmmaker Taika Waititi receiving the Ebert Director Award at the annual Toronto International Film Festival during the TIFF Tribute Gala Awards.
The Active Eye: D.A. Pennebaker, 1924-2019
Appreciating the art of one of the greatest documentary filmmakers.
Home Entertainment Guide: August 8, 2019
The latest on Blu-ray and streaming, including An Angel at My Table, Long Shot, and The Intruder.
Short Films in Focus: Sweet Steel
An interview with writer/director Will Goss about Sweet Steel, and a presentation of the short film.
Wolfenstein: Youngblood Fails to Build on Legacy of Original and Reboot
A review of Wolfenstein: Youngblood and the lessons it can teach creators about using Nazi imagery in 2019.
GLOW Struggles in Third Season Even as Great Ensemble Keeps It Together
A review of the third season of Netflix’s GLOW.
Happy One Year Anniversary to Our First Female Editor, Nell Minow
An article celebrating the one-year anniversary of our first female editor at RogerEbert.com, Nell Minow.
Who Tells Our Stories: Gender Progress Behind the Screen is Reflected On It
A piece on progress in who gets to tell stories reflected in films like Can You Forgive Me?, Late Night, The Souvenir, Revenge, and more.
Please Watch Netflix’s Dear White People
A review of the third season of Netflix’s Dear White People.
The Unloved, Part 68: K-19: The Widowmaker
Our monthly series on underrated films turns to a movie about Russians.
Someone to Trust, Something to Prove: The Films of Leonardo DiCaprio
A feature on the career of Leonardo DiCaprio through five performances: Titanic, Catch Me If You Can, The Aviator, Shutter Island, and The Wolf of Wall Street.
Emily Nussbaum on Her New Book, I Like to Watch: Arguing My Way Through the TV Revolution
An interview with Pulitzer Prize-winning TV critic Emily Nussbaum about her new book, I Like to Watch.
A Hitchockian Nightmare: On Alan J. Pakula’s Presumed Innocent
FFC Seongyong Cho looks back at Alan J. Pakula’s twisty thriller Presumed Innocent.
