In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb halloween poster

Halloween

Do you know the biggest sin of the new Halloween? It’s just not scary. And that’s one thing you could never say about the original.

Thumb first man

First Man

If you want to get an almost first-person sense of what it felt like to ride a rocket into orbit and beyond, "First Man" is…

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives

February 3, 1959: The day the music died

day_the_msuic_died1233637508-1.jpg

• • "American Pie" is a folk rock song by singer-songwriter Don McLean.Recorded and released on the American Pie album in 1971, the single was a number-one U.S. hit for four weeks in 1972. A re-release in 1991 did not chart in the U.S., but reached number 12 in the UK. The song is an abstract story surrounding "The Day the Music Died" -- the 1959 plane crash that killed Buddy Holly, Ritchie Valens, The Big Bopper (Jiles Perry Richardson, Jr.), as well as the pilot, Roger Peterson.

The importance of "American Pie" to America's musical and cultural heritage was recognized by the Songs of the Century education project which listed the song as the number five song of the twentieth century. Some Top 40 stations initially played only side two of the single, but the song's popularity eventually forced stations to play the entire piece. "American Pie" is Don McLean's signature song. • • The song is well known for its cryptic lyrics that have long been the subject of curiosity and speculation. Although McLean dedicated the American Pie album to Buddy Holly, none of the musicians in the plane crash are identified by name in the song itself. When asked what "American Pie" meant, McLean replied, "It means I never have to work again." Later, he more seriously stated,

"You will find many interpretations of my lyrics but none of them by me... sorry to leave you all on your own like this but long ago I realized that songwriters should make their statements and move on, maintaining a dignified silence."

McLean has generally avoided responding to direct questions about the song lyrics ("They're beyond analysis. They're poetry.")[3] except to acknowledge that he did first learn about Buddy Holly's death while folding newspapers for his paper route on the morning of February 3, 1959 (the line "February made me shiver/with every paper I'd deliver"). He also stated in an editorial published on the 50th anniversary of the crash in 2009 that writing the first verse of the song exorcised his long-running grief over Holly's death.

Despite this, many fans of McLean, amongst others, have attempted an interpretation (see Interpretation Links); at the time of the song's original release in late 1971, many American AM and FM rock radio stations released printed interpretations and some devoted entire shows discussing and debating the song's lyrics, resulting in both controversy and intense listener interest in the song. Some examples are the real-world identities of the "Jester", "King and Queen", "Satan", "Girl Who Sang the Blues" and other characters referenced in the verses. • From Wikipedia. The full entry is here. • • • • • • • • • • • • • • • • • • • • • • • • •Garrison Keillor's thoughts on the radio program Writer's Almanac on the birthday of Buddy Holly. • • •

Advertisement

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Netflix’s Terrifying, Moving The Haunting of Hill House is Essential Viewing

A review of Mike Flanagan's new horror series based on the Shirley Jackson novel, The Haunting of Hill House.

Why The Godfather, Part II is the Best of the Trilogy

A look back at one of the best films of all time.

Always Leave 'Em Laughing: Peter Bogdanovich on Buster Keaton, superheroes, television, and the effect of time on movies

Peter Bogdanovich, film historian and filmmaker, talks about Buster Keaton, the subject of his new documentary.

Reveal Comments
comments powered by Disqus