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Frustratingly not-quite-there from start to finish, the paranoia-soaked railroad thriller The Commuter is the latest installment in the unofficial "Liam Neeson Late Winter Butt Kickers"…

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"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Book Review: “Tarzan on Film” by Scott Tracy Griffin

When the wonderful people at Titan Books reached out about a new coffee table volume that would chronicle the history of Edgar Rice Burrough’s Tarzan character in entertainment, I thought it might make an interesting, thin volume to tie in with the surprisingly successful “The Legend of Tarzan.” How much could one really write about a single character? Honestly, I had no idea how ubiquitous Tarzan has been over the last century, popping up over and over again in pop culture, and this excellent book looks at every single iteration of the character, from the ones that made international waves to the ones that you’ve never even heard of. It’s a definitive history of Tarzan in pop culture from the 1918 silent film “Tarzan of the Apes” to the recent Alexander Skarsgård version in "The Legend of Tarzan" nearly a century later. And, unlike a lot of these books, it is no mere cursory piece of fan service, padded out with stills and posters you can just find online.

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The structure of “Tarzan on Film” by Scott Tracy Griffin is simple but brilliant. Each film gets a relatively detailed history, followed by a look at the stars of the film. For example, we learn that “Tarzan of the Apes” was a massive box office success even though Burroughs himself boycotted the film over a dispute regarding royalties, but later saw it and liked it immensely. And then we get a page that offers a bio of the first man in the loincloth, Elmo Lincoln. The book then moves on to 1919’s “The Romance of Tarzan,” also starring Lincoln, followed by a bio of that film’s Jane, Enid Markey. And so on.

And I do mean “so on.” There were six Tarzan films in the ‘20s, eight in the ‘30s, nine in the ‘40s, ten in the ‘50s, and so on and so on. Griffin is interested in more of a comprehensive look at the character than playing favorites. So, there are the Tarzans you’ve heard of like Johnny Weissmuller and even Christopher Lambert (in 1983’s infamous “Greystoke: The Legend of Tarzan, Lord of the Apes”) along with dozens of films that you very likely have not seen. Consequently, the book is filled with trivia—1957’s “Tarzan and the Lost Safari” was the first color version of the character—but also incredibly detailed for a coffee table book. Most of these collections are heavy on pictures, light on text and substance. “Tarzan on Film” is remarkable in its comprehensiveness, offering detailed histories of every single production, including behind-the-scenes stories, public responses and insight into how the legend changed over the years. It shows us how we got from “Tarzan of the Apes” to “The Legend of Tarzan,” and why that legend endures.

Click here to buy your copy of Titan Books' "Tarzan on Film."

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