In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_americanfable-poster_web

American Fable

American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.

Thumb_get_out

Get Out

We need more directors willing to take risks with films like Get Out.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Sundance Archives
Primary_screen_shot_2014-07-29_at_5.18.47_pm

Thumbnails 7/30/2014

"Glourious Basterds: A Breakdown of the Opening Chapter." At Matthew Scott Cinematographer, another characteristically superb aesthetic analysis of a filmmaker's work, this time about Quentin Tarantino's 2009 WW 2 potboiler. The annotated/explanatory graphics are quite something.

Advertisement

"With these films, I am trying to harken back to the original  Star Wars …. Christmas special. We do have Jefferson Starship.”

"What irks me most is Mr. Genzlinger’s reiteration of an endemic prejudice that has existed for years: that 'old' is somehow a flaw. This same perspective inspired colorization a generation ago and leads contemporary distributors and networks to crop (or stretch) shows produced in olde-fashioned 4:3 aspect ratio to widescreen, or to re-do special effects, in an effort to convince younger audiences that a show is of a more recent vintage. It’s the perspective that led to a 500-channel universe in which only one network – Turner Classic Movies – routinely aired black & white programming. And it’s the perspective that led the generation after mine to grow up with less-than-ready access to anything 'classic.'"

"I'm fairly certain that most critics have torrented content at some point in their career; when a movie is out on Blu-ray overseas and you're offered a low-quality screener defaced with anti-copyright watermarks to review, it's practically dereliction of duty not to. (It bears pointing out that despite the increasing regularity with which distributors furnish critics with cumbersome, unreliable online screeners with "DO NOT COPY" permanently burned into the image, the leaked copy of The Expendables 3 is unblemished, and the movie hasn't been shown to critics anywhere in the world.) But you cross a line when you start arguing that it's not only permissible but harmless. When you start believing that the entities that hold the copyright might consider being grateful, you move into sheer self-justifying delusion.  That's what Pierce does when he argues that the online leak 'might just be the best thing that ever happened to The Expendables 3.'”

Advertisement

"I know that a significant chunk of S&A's audience comprises of actors, actresses, directors, DPs, editors, composers, etc, etc, etc. Some are able to earn a paycheck utilizing their artistic and/or technical skills; others - and I'd say the majority - are what we've labeled the proverbial 'starving artists,' working diligently, relentlessly, struggling to climb this incredibly steep hill, trying to reach some self-defined pinnacle of success - whether personal or professional. And still others exist somewhere between the former and the latter.

Where do you fall? And, as the title of this post states, what's YOUR story, and would you like to share it with the rest of the world? 

Think of it as an extension of the successful S&A Filmmaker Diary series which we started 3 years ago, with Matthew Cherry as the guinea pig. I'm looking for your individual stories of struggle and/or success, regardless of what rung on the ladder you are currently on."

Advertisement

"A Celebration of Confusion in Close-Up." Or "Mindfuckness." From Jussi Tarvainen on Vimeo.

Popular Blog Posts

Oscar's History of Pickiness

At the ripe age of 89, Oscar can still be a notoriously picky fellow when it comes to what constitutes a contender fo...

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Netflix's "A Series of Unfortunate Events" an Unfunny Parody of Sadness

A review of Netflix's new series, Lemony Snicket's "A Series of Unfortunate Events," which premieres January 13.

If We Picked the Winners 2017

The RogerEbert.com staff picks for the Oscars.

Reveal Comments
comments powered by Disqus