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American Fable

American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.

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Get Out

We need more directors willing to take risks with films like Get Out.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Thumbnails 2/3/2014

"No, it's also that I can't bear all the kind of rubbish that goes on on those big films. I just can't stand sitting around for hours in a great big luxury trailer, waiting, bored out of my head. I used to do. A lot of tapestry. Yes, I had a lot of cushions around."

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“'It feels like home,' Mr. Abrams said with the requisite reserve and slight social unease that one expects from a dedicated archivist. He preferred to steer the conversation toward the floor-to-ceiling shelves and cabinets, and the wondrous things they contain as repositories of material that has emanated from courtrooms in Manhattan since the 1600s. Where else might you find the tattered indictment of Mae West, connected to her scandalous 1928 Broadway show, 'Pleasure Man'? Or an original 1909 letter from Typhoid Mary asking, in desperate cursive, to be set free from quarantine on North Brother Island in the East River?"

"[W]e have a Constitutional right to shut up, as well as to speak. A right to indifference as well as to opinion. 

Trailer for 1985's "Cabra Marcado Para Morrer," by Eduardo Coutinho. The great Brazilian documentarian was stabbed to death by his mentally ill son this weekend, putting a tragic end to a long and influential career. RogerEbert.com contributor Pablo Villaca remembers the man and his work in his essay "Broken Screens." 

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