X-Men: Apocalypse is a confused, bloated, mess of a film.
"[Bob Zemeckis ("Polar Express," "Disney's A Christmas Carol"] essentially is making animated films using an actor-driven process. His visual choice on 'Beowulf' didn't require photo-realism. 'Avatar' is a different kettle of fish. We were intercutting live-action footage with CG footage, so our CG had to be interchangeable with photography."
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There's a rumor going around that some of the humans in "Avatar" are CGI creations. Any truth to that?
''There are a number of shots of CGI humans,'' James Cameron says. ''The shots of [Stephen Lang] in an AMP suit, for instance -- those are completely CG. But there's a threshold of proximity to the camera that we didn't feel comfortable going beyond. We didn't get too close.''
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What's the difference between normal 3-D and RealD 3-D? And is it better to see it in one format over another?
''The differences with the types of 3-D are just the mechanics of how it gets up on the screen,'' producer Jon Landau explains. ''There's really not much difference visually, except in the type of eyeglasses you're wearing.''
Separating the artist from the art isn't as easy as it sounds.
This message came to me from a reader named Peter Svensland. He and a fr...
Part two of Jana Monji's essay about the portrayal of Asian characters in cinema.
Reviews from Cannes of Cristian Mungiu's "Graduation" and Nicolas Winding Refn's "The Neon Demon."