Bridge of Spies
Bridge of Spies is a daring, studied and mannered true story that is at once remarkably genuine and deeply cinematic at the same time.
"[Bob Zemeckis ("Polar Express," "Disney's A Christmas Carol"] essentially is making animated films using an actor-driven process. His visual choice on 'Beowulf' didn't require photo-realism. 'Avatar' is a different kettle of fish. We were intercutting live-action footage with CG footage, so our CG had to be interchangeable with photography."
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There's a rumor going around that some of the humans in "Avatar" are CGI creations. Any truth to that?
''There are a number of shots of CGI humans,'' James Cameron says. ''The shots of [Stephen Lang] in an AMP suit, for instance -- those are completely CG. But there's a threshold of proximity to the camera that we didn't feel comfortable going beyond. We didn't get too close.''
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What's the difference between normal 3-D and RealD 3-D? And is it better to see it in one format over another?
''The differences with the types of 3-D are just the mechanics of how it gets up on the screen,'' producer Jon Landau explains. ''There's really not much difference visually, except in the type of eyeglasses you're wearing.''
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A NYFF report on Don Cheadle's directorial debut, "Miles Ahead."
A review of Steven Spielberg's "Bridge of Spies" from its NYFF premiere last night.
A review of season two of FX's "Fargo."