Aloha feels like several films at once, crammed together and sped up, with results that are emotionally hollow and narratively confusing.
"[Bob Zemeckis ("Polar Express," "Disney's A Christmas Carol"] essentially is making animated films using an actor-driven process. His visual choice on 'Beowulf' didn't require photo-realism. 'Avatar' is a different kettle of fish. We were intercutting live-action footage with CG footage, so our CG had to be interchangeable with photography."
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There's a rumor going around that some of the humans in "Avatar" are CGI creations. Any truth to that?
''There are a number of shots of CGI humans,'' James Cameron says. ''The shots of [Stephen Lang] in an AMP suit, for instance -- those are completely CG. But there's a threshold of proximity to the camera that we didn't feel comfortable going beyond. We didn't get too close.''
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What's the difference between normal 3-D and RealD 3-D? And is it better to see it in one format over another?
''The differences with the types of 3-D are just the mechanics of how it gets up on the screen,'' producer Jon Landau explains. ''There's really not much difference visually, except in the type of eyeglasses you're wearing.''
Having once made the statement above, I have declined all opportunities to ...
An FFC writes about the use of Giuseppe Verdi's "Dies Irae" in "Mad Max: Fury Road".
An essay on how technology has rendered us a one-handed species.
This message came to me from a reader named Peter Svensland. He and a fr...