In Memoriam 1942 – 2013 “Roger Ebert loved movies.”


The Good Dinosaur

A film that has some promising elements and which often seems as if it is on the verge of evolving into something wonderful but never…


The Danish Girl

The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Preview of Coming Attractions

FYI, I've still got lots and lots of Opening Shots stacked up to publish, including (off the top of my head): Truffaut's "Day for Night," Paul Schrader's "Cat People," Joe Dante's "The 'Burbs," Robert Zemeckis' "Used Cars," Tarkovsky's "Andrei Rublev," Peter Weir's "Picnic at Hanging Rock," Paul Thomas Anderson's "Punch-Drunk Love" and many, many others. Just haven't been able to work on this stuff as much as I should because of daily reviewing obligations. But I'm gonna try to get to another batch this week, if I possibly can...

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Anton Ego and Jesse Eisenberg: some notes on the presumed objectivity of critics

Matt Zoller Seitz reviews and reflects upon Jesse Eisenberg's New Yorker piece about film critics.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

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