Emotionally charged, viscerally exciting and consistently enlightening, Gabe Polsky’s Red Army is a sports documentary like no other.
FYI, I've still got lots and lots of Opening Shots stacked up to publish, including (off the top of my head): Truffaut's "Day for Night," Paul Schrader's "Cat People," Joe Dante's "The 'Burbs," Robert Zemeckis' "Used Cars," Tarkovsky's "Andrei Rublev," Peter Weir's "Picnic at Hanging Rock," Paul Thomas Anderson's "Punch-Drunk Love" and many, many others. Just haven't been able to work on this stuff as much as I should because of daily reviewing obligations. But I'm gonna try to get to another batch this week, if I possibly can...
Glenn Kenny tries to provide some calm, reason, and perspective to today's major Oscar nominations.
This message came to me from a reader named Peter Svensland. He and a fr...
A look at Kimberly Pierce's 2013 version of "Carrie."
A note of thanks from Chaz Ebert to the wonderful people behind "Life Itself."