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Deadpool

Deadpool is a fun character, but he’s still in search of a fun movie to match his larger-than-life personality.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Chaz's Blog Archives
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Let's fix those "ambiguous" endings, shall we?

Nobody has ever satisfactorily explained what is supposedly "ambiguous" about the ending of "No Country for Old Men," which has one of the most exquisitely judged denouements in movie history. ("A Serious Man," too.) So, what is it, precisely, that some folks need explained or resolved for them? The smartly funny video above imagines what would happen if "The Wrestler," "Lost in Translation," "NCFOM," "The Graduate" and "The Sopranos" gave the literal-minded exactly what they desire.

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Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Sundance 2016: Being American

A piece on the American experience reflected through four films at the Sundance Film Festival by an Ebert Fellow.

30 Minutes on: "The Swimmer"

A peculiar film, poised somewhere between satire and dream logic.

Bright Wall/Dark Room February 2016: "The Grace of Keanu Reeves" by Angelica Jade Bastién

An excerpt from the February 2016 issue of Bright Wall/Dark Room about Keanu Reeves.

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