Man of Steel
The title "Man of Steel" tells you what you're in for when you buy a ticket to this immense summer blockbuster: a radical break from…
The title "Man of Steel" tells you what you're in for when you buy a ticket to this immense summer blockbuster: a radical break from…
Claustrophobia isn't often considered a cinematic asset beyond tales of suspense and horror. But "Fill the Void," an award-winning Israeli drama about a naive 18-year-old…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Here are some ways to celebrate Roger's birthday (a birthday shared by Sir Paul McCartney).
A remembrance by Roger Ebert's book editor Donna Martin: "I had never even seen "Siskel & Ebert" on television when I knew I wanted to…
Suicide glamour and magazine-shaming; how American textbooks dumb down Vietnam; remembering the late investigative journalist Michael Hastings; why sex on the first date is not…
Here are some ways to celebrate Roger's birthday (a birthday shared by Sir Paul McCartney).
Kevin B. Lee reports on the film series at MoMA that he co-curated.
Katherine Tulich talks to Julie Delpy, Ethan Hawke and Richard Linklater about returning once again to the characters from "Before Sunrise" and "Before Sunset" for…
This summer's Millennium Park screenings kick off with a dedication to Roger Ebert.
Craig D. Lindsey is on the warpath against jerk cinema, in which arrogant heroes trample all over everybody and the film celebrates them as righteously…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.
![]()
Quentin Tarantino told a BAFTA audience in London last month that he'd like to remembered for a body of work, like Howard Hawks.
This sparked a discussion between Anne Thompson and Jack Mathews of moviefone.com over at the indieWire-hosted Thompson on Hollywood (cross-posted at Slate Film Salon) -- a "dueling blog" about whether Tarantino (who told the New York Times that he worked quickly to get "Inglourious Basterds" ready for Cannes because he "wanted to have a masterpiece before the decade's out") can be said to have produced "a legacy of greatness":
JM -- ... No question, he has proven his greatness to his hardcore fans, among whose numbers many critics and film scholars can be counted. But in the 16 years since "Pulp Fiction," he has not come close to matching that film's brilliance. His movies, while enjoyable to watch, are self-indulgent games for him. If "Inglourious Basterds" is a great war movie, "Blazing Saddles" is a great Western. They're both fun but that's all they are.
AT --Wow. Do movies have to educate us?
JM --No, but a great movie, like a great novel, has to do more than merely entertain. And for a filmmaker as interested in his legacy as Tarantino is, the body of work which he thinks is now ripe for analysis falls far short of greatness.
AT -- While we disagree about what 'great' cinema is, I do look forward to seeing Tarantino mature and grow....
Hang on a minute, here. Tarantino aside, how can you enter into this discussion without attempting to more precisely define what you mean by the term "great movie"? Mathews says it has to be something more than just "fun" or "entertaining." Thompson says she disagrees. Are "fun" or "entertaining" even relevant terms in a discussion of greatness in art? Does a movie have to engage the emotions in order to be considered "great"? The intellect? Might "greatness" have something to do with style, or what Eric Rohmer called "the relationship between content and expression" -- given that the expression is the "content"? What do you say?
Next Article: The Monthlies Previous Article: The Seoul of a New Movie Machine: Dude, you gotta see it in 4-D!
As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...
I cried yesterday at a retreat while listening to Michael Buble's rendition of "Smile." The tears came from out of no...
Lateral tracking shots can get to the heart of a film more quickly and succinctly than any other technique. What are ...
Please help me welcome the new Editor-in-chief for Rogerebert.com, Matt Zoller Seitz. What Roger and I found refresh...