Like Ficarra and Requa’s 2011 comedy Crazy Stupid Love, Focus begins promisingly and bops along enjoyably for a while, only to run out of steam…
One of my favorite movie lines ever, impeccably written and delivered so that it has stayed fresh and funny for me every single day since I first heard it 30 years ago:
"We saw the new Lina Wertmuller film.... I loved it. Phil thought it was flawed."
BTW, I'm struck that studios hardly ever make mainstream movies like this anymore, naturalistic, humanistic comedy-dramas about adults who look, talk and behave like adults -- or like15-year-olds, depending on the circumstances. "An Unmarried Woman" is flawed, and I love it. (Clayburgh's shrink still drives me up the wall, but I never doubted that she was a dead-accurate caricature. Now I think she's hilarious; I used to just feel outrage that she was so full of shit and granola: "Guilt is a man-made emotion.... Turn off the guilt.")
Even if the movie plays like a '70s period picture in some ways (and it did then, too -- because it was made and set in a recognizable '70s New York movie-milieu), it's as smart and honest and observant as ever. Almost shockingly so, given what's passing for adult drama on big screens right this minute....
This message came to me from a reader named Peter Svensland. He and a fr...
On how Clint Eastwood's "American Sniper" examines evil.
Glenn Kenny comments on awards season, Sean Penn, Neil Patrick Harris, and the actual Oscars.
An FFC looks at the "Taken" saga.