In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_americanfable-poster_web

American Fable

American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.

Thumb_get_out

Get Out

We need more directors willing to take risks with films like Get Out.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Sundance Archives

Reviews

Two Moon Junction

  |  

"Two Moon Junction" is a feature-length version of those soft-core sex fantasies marketed on video by Playboy and Penthouse. It involves the usual plot: A muscular, bare-chested carnival roustabout lays waste to a fluttery Southern girl who always wears billowing white dresses.

Advertisement

The sex scenes are preceded by interminable exchanges of glances, during which the belle and the roustabout frown erotically at each other, as if they have an itch, or a headache. When they're not together, the belle passes the time taking long, steamy showers, and the roustabout pounds a lot of stakes.

The story is such a compilation of cliches that I hesitate to describe it, for fear of being taken for a satirist. It stars the beautiful Sherilyn Fenn as April Delongpre, daughter of a senator and heiress to an old and rich Southern family, and Richard Tyson as Perry, the carnival worker. Missy April is engaged to marry the handsome Chad Douglas Fairchild (Martin Hewitt), but after she sees Perry with his shirt off at the local carnival, it is only a matter of time until they are making up new rides of their own.

"Two Moon Junction" (no pun intended, I guess) tells the story of their tempestuous passion against a backdrop of Southern mansions, BMW convertibles, truck cabs, billowing white draperies, Champagne glasses, long-neck beer bottles and lingerie by Fredericks of Hollywood. The movie begins a few days before the Delongpre-Fairchild wedding is scheduled to take place, but April's fiance is out of town (in Tuscaloosa, signing the papers for their new condo) and her family conveniently departs en masse for "the lake." That leaves the young woman with lots of time on her hands, and she is drawn irresistibly back to the carnival midway and the attentions of the hunk she can't get out of her mind.

Advertisement

For a movie that was apparently not intended as a comedy, "Two Moon Junction" has some genuinely funny moments in it. Kristy McNichol turns up in a high-voltage cameo, as another of Perry's one-night stands, and hands out some spicy dialogue and girl-to-girl advice about the braless look. And Louise Fletcher, as April's grandmother, has a memorable speech to her grandchildren in which she nostalgically lists all of the great people who have dined at the Delongpre table: "Gen. Patton . . .

President Wilson . . . Jimmy Carter . . . Lyndon Johnson . . . and Betty Ford, after her rehabilitation." As her wedding day grows closer, April is torn between her growing love for Perry and her "family duty" to marry Fairchild. Meanwhile, her grandmother has assigned the local sheriff (Burl Ives) to keep an eye on Perry, and everything comes to a climax during the wedding ceremony itself, which is not half as much fun as it should have been.

"Two Moon Junction" was directed and written by Zalman King, who wrote and produced "9 1/2 Weeks," and continues in this film a fascination for sex in out-of-the-way places (the movie's most unlikely venue is during brunch in a local restaurant). Despite the cheerful and unrelenting silliness of the movie, Fenn and Tyson do what they can with their roles, which is not much, since the film is more concerned with their physical presences than with their acting chemistry. The film's major flaw is its earnestness. It seems to have little if any idea of how ridiculous its story is, how hilarious its characters are, and, indeed, how ludicrous most of the sexual situations turn out to be. When I was 15, I would have loved this movie.

Advertisement

Popular Blog Posts

Oscar's History of Pickiness

At the ripe age of 89, Oscar can still be a notoriously picky fellow when it comes to what constitutes a contender fo...

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Netflix's "A Series of Unfortunate Events" an Unfunny Parody of Sadness

A review of Netflix's new series, Lemony Snicket's "A Series of Unfortunate Events," which premieres January 13.

If We Picked the Winners 2017

The RogerEbert.com staff picks for the Oscars.

Reveal Comments
comments powered by Disqus