In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_zero_theorem_ver4

The Zero Theorem

Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.

Thumb_xmubcnexkydxsr4bysssjqtxpos

Tusk

It's not surprising that Smith's characterizations and dialogue lack subtlety given the type of broad comedy that Smith has practically made his brand. But somehow,…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Reviews

Trust Me

Trust Me Movie Review
  |  

You may think it’s weird that a movie about a Hollywood agent who specializes in child actors would start off with a situation lifted from "Carlito’s Way," but on the other hand, consider that a warning. Its perky poster notwithstanding, "Trust Me" is a putatively hard-edged comedy that promises to turn into something harder.

What makes it a crummy picture is that it really doesn’t turn into something harder, and it’s not that hot before it makes the turn, either. We’ll get to that. After the confounding opening featuring narration from a mortally wounded character, "Trust Me," the second feature directed by busy actor Clark Gregg, who also stars here, shifts into inside-showbiz-satire mode, or so it seems. Gregg, who also wrote the script, plays Howard, a puppy-dog-eager but down-on-his-luck agent whose pep talks to his clients are peppered with references to his own past as a child performer ("on my third call-back for ‘Boatniks,’" etc.). Howard’s been there, he knows, he cares, and yet he keeps losing kids to rapacious rival Aldo (Sam Rockwell, star of Gregg’s prior feature "Choke," and here doing an odd verbal impersonation of Jeff Goldblum). Things seem to start looking up for Howard when he stumbles upon beautiful teen Lydia (Saxon Sharbino), a volatile girl possessed of emotional quicksilver, perfect for a role in an upcoming teen-vampire-franchise movie that could make megabucks for her, for Howard, and for Lydia’s drunkard dad.

This portion of the film, during which hapless Howard also pursues an attractive neighbor played by Amanda Peet, aspires to "Sweet Smell of Success" meets "The Player" meets "The Big Picture" acuity, and despite the knowing name-drops (the vampire movie has attracted Ang Lee as director, Helen Mirren as adult lead) and the arrogant bad behavior of a producer played by Felicity Huffman, and much else in the way of wants-to-be-verisimilitude, it never gets in swinging distance of such a thing. And then the movie opts to up the ante and place Howard in a film-noir snare that, among other things, recontextualizes the idea of the femme fatale in a decidedly unhealthy way. Weird borderline misogyny aside, the movie also lacks genuine wit, and ameliorates whatever tragic sense of cynicism it aspires to with pointless displays of sentimentality, most of it directed at its lead character, who’s often depicted in profile, looking kind of wistful, as a random music cue by composer Mark Killan drops a little treacle into the mix. Gregg is a genuinely gifted actor but his other ambitions really get the better of him with this project, I’m sorry to say.

Popular Blog Posts

Now, "Voyager": in praise of the Trekkiest "Trek" of all

As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Scorsese Receives Golden Thumb at TIFF Ebert Tribute

A photo gallery offering snapshots from The Ebert Dinner at the 2014 Toronto International Film Festival.

The Unloved, Part Ten: "The Village"

Part ten in Scout Tafoya's The Unloved series tackles "The Village."

Reveal Comments
comments powered by Disqus