American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.
A 19-year-old actress named Hafsia Herzi steps into the cinema in this film. I have a feeling it will be, like the first film of Isabelle Huppert, not simply a debut, but an announcement: Here I am, and I am the real thing. She is the energy at the heart of a life-filled portrait of a big family of first-generation immigrants in a shabby French port city, a family that nourishes love, jealousy, discouragement, ambition, and a whole lot of dining and talking.
"The Secret of the Grain" is the wrong title for this movie. In France, where it was honored for best film, director, screenplay and most promising actress, the title translates as "fish couscous." In England, it opened as "Couscous." The only secret involving the grain is why it's so late being served. What were you expecting, Napoleon's toenails?
The wave of immigrants from former French colonies like Tunisia, Morocco and Algeria began in the late 1950s and continues, but most of the early arrivals are now grandparents, their offspring speaking only a few words of Arabic. We land in the middle of such a family, its patriarch the grave, taciturn Slimane Beiji (Habib Boufares), who was born in Tunisia. He's in the process of losing his job at a shipyard, and negotiating uneasily between his first wife, Souad (Bouraouia Marzouk), and his lover, Latifa (Hatika Karaoui), who owns a little hotel. He has two sons, one always in lust, but saves his deepest affection for Latifa's daughter, Rym (Hafsia Herzi). We have to gather these facts from the others, because Slimane doesn't confide.
The Tunisian-born writer-director Abdellatif Kechiche isn't interested in a formal story, although he does provide a cliff-hanging third act. He wants us to see these people live. Early in the film, he has a dinner table scene of such virtuosity that we feel we know everyone, even those we haven't seen before. This scene only incidentally sets up plot points; its purpose is to show strong opinions, deep feelings, humor and a sincere interest in the food. The cook is the first wife, renowned for her couscous; she always sends a plate home to Slimane, who lives in a little room in Latifa's hotel. She also, as a ritual, gives a plate from every meal to the nearest homeless man she can find.