In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_mv5bmtq1mze4mte3of5bml5banbnxkftztgwotcyndm3nte_._v1__sx1216_sy640_

Amy

Sometimes, it feels as if we are eavesdropping on day-to-day conversations rather than just hearing the usual litany of platitudes and regrets.

Thumb_large_nxcfdsanskih09xq74fjnyhw4g0

Stray Dog

"Stray Dog" largely succeeds because Granik's technique complements her subject. Both he and the film are modest in their goals and cherish the value of…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives

Reviews

The Ice Storm

The Ice Storm Movie Review
  |  

"The Ice Storm" takes place as an early winter storm descends on Connecticut, casting over Thanksgiving a shroud of impending doom. In a wooded suburb, affluent adults stir restlessly in their split-level homes, depressed not only by their lives but by their entertainments, and even by their sins. Their teenage children have started experimenting with the same forms of escape: booze, pot and sex.

The Hood family is held together by quiet desperation. Ben (Kevin Kline) is having an affair with a neighbor (Sigourney Weaver). His wife Elena (Joan Allen) is a shoplifter who is being hit on by a long-haired minister. The children sip wine in the kitchen. Young Wendy Hood's grace before Thanksgiving dinner is to the point: "Thanks for letting us white people kill all the Indians and steal all their stuff."Ben and Elena observe later, "The only big fight we've had in years is about whether to go back into couples therapy."

The film, based on a novel by Rick Moody, has been directed by Ang Lee, whose previous credit was an adaptation of Jane Austen's "Sense and Sensibility."Both films are about families observing protocol and exchanging visits. Only the rules have changed. When Ben Hood visits Janey Carver (Weaver) for an adulterous liaison, he wanders into Janey's rec room to find his own daughter, Wendy (Christina Ricci), experimenting with Janey's son Mikey (Elijah Wood). Wendy, who is 14, has also conducted an exploratory session with Mikey's kid brother, Sandy. The father asks his daughter what she's doing there. She could as easily have asked him.

The early 1970s were a time when the social revolution of the 1960s had seeped down, or up, into the yuppie classes, who wanted to be "with it"and supplemented their martinis with reefer. The sexual revolution is in full swing for the characters in this movie, leading to Ben Hood's lecture to his son on the facts of life: "Masturbating in the shower wastes water and electricity."When Janey Carver finds her son and the Hood girl playing "I'll show you mine if you'll show me yours,"her response is a bizarre speech on Margaret Mead's book about coming of age in Samoa.

The literate, subtle screenplay by James Schamus cuts between the children and their parents, finding parallels. Paul takes the train into the city to visit the apartment of the girl he likes; he puts sleeping pills into her drink to make her perhaps more agreeable, and she passes out. Meanwhile in New Canaan, the adults are attending a "key party"that turns into a sort of race: Can they swap their wives before they pass out? Elena Hood even finds Philip, the long-haired minister (Michael Cumpsty) there. "Sometimes the shepherd needs the comfort of the sheep,"he explains tolerantly. She answers: "I'm going to try hard not to understand the implications of that."

There is a sense of gathering tragedy, symbolized in one scene where a child balances on an icy diving board over an empty pool. When disaster does strike, it releases helpless tears for one of the characters; we reflect on how very many things he has to cry about. Despite its mordant undertones, the film is often satirical and frequently very funny, and quietly observant in its performances, as when the Weaver character takes all she can of Kline's musings about his dislike of golf, and finally tells her lover: "You're boring me. I have a husband. I don't feel the need for another."

They all feel the need for something. What we sense after the film is that the natural sources of pleasure have been replaced with higher-octane substitutes, which have burnt out the ability to feel joy. Going through the motions of what once gave them escape, they feel curiously trapped.

Popular Blog Posts

Why Can't Sad Be Fat?

A rebuttal to Joni Edelman's piece on "Inside Out."

The Unloved, Part 19: "The Assassination of Jesse James by the Coward Robert Ford"

The July 2015 edition of The Unloved looks at Andrew Dominik's "The Assassination of Jesse James by the Coward Robert...

Sex Symbol Without Auteur: The Strange Case of the Gina Lollobrigida Filmography

Three films starring Gina Lollobrigida have been released on Blu-ray; Glenn Kenny looks at them and her entire career.

“Scream” and “Zoo” Seek to Raise the Summer TV Body Count

MTV's Scream and CBS's Zoo premiere tonight. One is worth your time. Which one?

Reveal Comments
comments powered by Disqus