Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
James Toback discusses his new documentary, "Seduced and Abandoned," which traces the life of a failed movie project. He also discusses the ultimate fate of…
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun's "Grisgris" is a mixed bag. So it goes sometimes at Cannes.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…

Poor Kim Mills. She doesn't even have her driver's license yet, and she's been kidnapped by sex traffickers in Paris and terrorists in Istanbul. This despite her having a father so protective that he implants a GPS app in her iPhone and bursts in on her making out with her sweet, polite boyfriend.
I suppose the second kidnapping was necessary in "Taken 2," which stars Liam Neeson, Maggie Grace and Famke Janssen in a pumped-up sequel to "Taken" (2008). They say that the family that's kidnapped together, stays together and a whole lotta bonding will go on after this one. You don't need to have seen the first film to follow this one, which opens with touching scenes between ex-CIA man Bryan Mills (Neeson) and his ex-wife Lenore (Famke Janssen, who is seriously beautiful here). Lenore's new husband has proven to be a no-good rat, and some energy flows between her and Bryan, the father of their daughter Kim (Maggie Grace). Mills has been hired to be a sheik's bodyguard in Istanbul; when he wraps the job, he invites Kim and Lenore to join him for some R&R in Istanbul.
Bad idea. He's only a stone's throw from Albania, where the film opens with a funeral of Mills' victims from the first "Taken." I have long complained that action pictures leave dozens of dead bodies behind and unaccounted for. Now we see that Mills killed so many bad guys in the first film that a transport plane is needed to airlift their bodies home, and a mass burial is required to dispose of them.
The chief mourner is Murad Krasniqi (the dependably evil Rade Sherbedgia), whose son was among the victims. Never mind that the lad specialized in kidnapping young tourists and making them sex slaves. Never mind that Bryan Mills' daughter was one of the kidnappees. Krasniqi vows revenge.
This time Mills and Lenore are kidnapped, when Kim pulls out of a family outing. This leads to Lenore being left hanging by chains, upside down in a warehouse, while Mills is chained to a pipe in the same room. Krasniqi, having made a precise slit in Leonore's throat, kindly explains that because the blood will flow to her head, she won't bleed to death right away. (Not to worry; this is only PG-13-rated hanging upside down and bleeding to death.)
So OK. Put yourself in Lenore's place. You're hanging upside down and bleeding, with a black hood over your head, and you hear your ex-husband's reassuring voice: It's all gonna be OK. And it is. This is because Mills, apparently the most brilliant graduate in CIA history, manages to call his daughter for help and lead her through a complex process of using a shoestring and a map to figure out where he and Lenore are being held. What Kim does to save them may inspire some disbelieving laughter from the audience, but man, oh, man, that girl has pluck, and can outrun the terrorists and the Turkish cops, despite having failed two driver's license exams.
"Taken 2" is slick, professional action, directed by Olivier Megaton. Let that name roll off your tongue (Olivier, not Oliver). It was produced and co-written by Luc Besson, the French master of thrillers, and Robert Mark Kamen, his writing partner on many films. The first "Taken" was made for $22 million and grossed 10 times that much, establishing Liam Neeson as an action star after a career spent in heavyweight roles. The cast is uniformly capable and dead serious, and if you're buying what Luc Besson is selling, he's not short-changing you.
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun'...
The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Boos for Takashi Miike's "Shield of Straw," a muddled "Blind Detective" from Johnnie To and Paolo Sorrentino's "The G...
At Cannes, the Coen brothers discuss their inspirations for "Inside Llewyn Davis."