In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_f8f20egntzlhnjjletts89sx5lt

Magic in the Moonlight

While Allen’s new picture, "Magic In The Moonlight," isn’t even close to being a disaster (for that, see, well, "Scoop"), I don’t think it’s unreasonable…

Thumb_hercules

Hercules

Dwayne Johnson tries, but he’s surrounded by poor CGI and a terrible adaptation of yet another comic book. Ian McShane steals what little movie there…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives

Reviews

Sky Bandits

  |  

If you read National Lampoon, you are familiar with the airplanes and dirigibles of Bruce McCall, an artist who creates giant fantastical flying machines that look like old Packards crossed with loaves of aluminum bread. The airplanes all have wings with 12 engines on them, and the blimps are so big that they have landing fields on top of them, where baby blimps are tethered. Everything looks vaguely like one of those green plastic kitchen radios they made in the late 1940s.

If you like McCall's work, you may like certain scenes in "Sky Bandits." If not, you won't. The design of the airplanes in this movie is its single, lonely, redeeming facet. Everything else is surprisingly boring, given the fact that the movie cost a reported $17 million to make. The plot involves aerial battles in World War I, but the dialogue rolls along at about the level and intensity of a couple of fraternity kids making plans for the weekend.

The story begins in about 1917 with the two heroes, Barney (Scott McGinnis) and Luke (Jeff Osterhage), blowing up banks in the West. They keep using too much dynamite, so the banks get blowed up real good, ho, ho. We know we're in trouble when this joke is repeated four times.

Then Barney and Luke are mustered into the Army and sent to France, where they shoot down an airplane with their pistols and are promoted to pilot training.

Meanwhile, we begin to see the weird flying machines. Some of them have four wings, others have eight engines and one is an automobile with wings bolted to it. The Germans unveil their secret weapon: a dirigible so large that when it is moored to the ground its upper reaches disappear into the clouds. Barney and Luke are assigned to find the airship and destroy it. So off they go, flying missions inside the dirigible's hanger. It is so large that when their planes almost hit the girders and then fly out through a hole in the wall, we are seized with a burning conviction that the makers of "Sky Bandits" have seen "Star Wars" many times.

You know what I feel like recounting this plot? I feel like kindly old Uncle Don, the geezer on the radio who used to tell adven ture tales to the kids. Barney and Luke decide to drop dynamite on the big dirigible, and imagine their surprise when....But you get the point. Anachronism fans may be mildly amused by the conversations held by the two characters, who are alleged to be 1917 cowboys, but who do not in any detail of their appearance, speech or manner, appear to be anything other than two out-of-work actors engaged to make a dumb special-effects movie in Spain.

The airships look great. They're a reminder of the wonderous things that can be done with matte shots and scale models. Nothing human in this picture engaged my interest, however, and so I was left to reflect on the plight of Yvette (Valerie Steffen) and Mitsou (Ingrid Held), the two women in the story. They're local groupies who are picked up one night by Barney and Luke and immediately move into their tents at the air base (the commanding officer is rather permissive).

Then their duties consist of standing around disconsolately, looking up at the sky after their departed masters. (A dog played this role more touchingly in "Battle of Britain.") There's not a second of passion or real caring between the women and their lovers. At the end of the film, Barney and Luke are back out West again, blowing up more banks with more dynamite, ho, ho, and the plot has dropped the women cold. There's not even a mention of their fate. Maybe we'll get a sequel, "The Bitter Tears of Fighter Ace Widows," in which Yvette and Mitsou mope around the deserted airfield, wrapped in castoff parachute cloth and refusing to believe reports that the war is over.

Popular Blog Posts

Exploring Israel-Palestine through Movies: Part 1

The first part in a four-part series on what film can teach us about the relationship between Israel and Palestine.

Able-Bodied Actors and Disability Drag: Why Disabled Roles are Only for Disabled Performers

Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.

Simply Do it: Talking with Woody Allen About Directorial Style

An interview with Woody Allen about his new film, "Magic in the Moonlight."

Roger Ebert is My Superhero

Roger Ebert loved superhero movies but he was a superhero himself to me.

Reveal Comments
comments powered by Disqus