Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Who
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
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Two very different documentarians, Marcel Ophüls and Clio Barnard, premiere new work at Directors' Fortnight.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Los Angeles, CA: Sundance Institute will remember and celebrate journalist and film critic Roger Ebert by honoring him with the Vanguard Leadership Award in Memoriam,…
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dedicated to memories of Roger Ebert, for the simple reason that talking about movies is so thrilling. He did not like lists, but I love…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…

The idea is, the Organization has taken Lee Marvin's $93,000 away from him, and he wants it back again. "I want my money back," he snarls about 14 times during "Point Blank."
First he goes to the juice man, who doesn't have his money. So he kills the juice man. Then he goes to the next guy up, who can't get his money. So he kills him. Then he goes to the big shot's lieutenant, who won't give the money and tries to kill Marvin. So Marvin works it that the lieutenant and the bagman get shot by mistake. Then the big shot tries to give him the money and get shot by the Shadowy Figure who lurks above the Organization. The poor guy never does get his money.
There are a few questions you may stumble across in your examination of this plot, and one of them Is phrased nicely by the big shot. "Good Lord, man," he tells Marvin, "do you mean to say you'd bring down this immense organization for a paltry $93,000?" The question is more or less rhetorical, since Marvin has already knocked off most of the board of directors, several hired gunmen and a secretary or two. You'd think the Organization would let him have his $93,000, and good riddance.
But if they'd forked over, there wouldn't have been a movie, and as suspense thrillers go "Point Blank" is pretty good. It gets back into the groove of Hollywood thrillers, after the recent glut of spies, counterspies, funny spies, anti-hero spies and spy-spier spies. Marvin is just a plain, simple tough guy who wants to have the same justice done for him as was done for Humphrey Bogart.
Asghar Farhadi ("A Separation") returns with another look at unsolvable dilemmas, an erotic thriller goes all the way...
Two very different documentarians, Marcel Ophüls and Clio Barnard, premiere new work at Directors' Fortnight.
Michał Oleszczyk falls for offbeat gay thriller "Stranger by the Lake" and gloriously eccentric essay-film "A Story o...
Barbara Scharres has a few choice words for François Ozon's "Young & Beautiful" and Sofia Coppola's "The Bling Ri...