We need more directors willing to take risks with films like Get Out.
Ah, yes, James, it is good to have you back again. It is good to see the way you smile from under lowered eyebrows, and the way you bark commands in a sudden emergency, and it is good to see the way you look at women. Other secret agents may undress women with their eyes. You are more gallant. You undress them, and then thoughtfully dress them again. You are a rogue with the instincts of a gentleman.
It has been 12 years since Sean Connery hung it up as James Bond, 12 years since "Diamonds Are Forever," and Connery's announcement that he would "never again" play special agent 007. What complex instincts caused him to have one more fling at the role, I cannot guess. Perhaps it was one morning in front of the mirror, as he pulled in his gut and reflected that he was in pretty damn fine shape for 53. And then, with a bow in the direction of his friend Roger Moore, who has made his own niche as a different kind of Bond, Sean Connery went back on assignment again.
The movie is called "Never Say Never Again." The title has nothing to do with the movie -- except why Connery made it -- but never mind, nothing in this movie has much to do with anything else. It's another one of those Bond plots in which the basic ingredients are thrown together more or less in fancy.
We begin with a threat (SPECTRE has stolen two nuclear missiles and is holding the world at ransom). We continue with Bond, his newest gadgets, his mission briefing. We meet the beautiful women who will figure in the plot (Barbara Carrera as terrorist Fatima Blush, Kim Basinger as the innocent mistress of the evil Largo). We meet the villains (Max von Sydow as Blofeld, Klaus Maria Brandauer as Largo). We visit exotic locations, we survive near misses, and Bond spars with the evil woman and redeems the good one. All basic.
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