Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
"Mirror Mirror" is a sumptuous fantasy for the eyes and a pinball game for the mind, as story elements collide and roll around bumping into each other. This is not a faithful retelling of the versions by the Brothers Grimm or Walt Disney, but neither is it a satire, nor much of a story in its own right. But it's great to look at. If there's a major difference from the earlier versions, it's how this one has beefed-up roles for the seven dwarves, who here seem to be a merry band in search of Robin Hood. Nor do I recall earlier battles with a giant winged griffin.
The look of the film owes everything to the director, Tarsem Singh, an India-born former TV commercial maker, famous for two of the best-looking movies I've ever seen, "The Cell" (2000) and "The Fall" (2006). He's in love with spectacular landscapes and architecture, and in all of his films (including the underwhelming "The Immortals" in 2011) the costumes of the late Japanese designer Eiko Ishioka dominate every scene they're in and every character they're worn by.
Julia Roberts seems particularly well-suited to wear them, and when first seen is wearing a magnificent orange gown and seated on a seashell throne which acts as a frame and a continuation of the costume. Roberts plays the Queen in a kingdom we're introduced to by her opening narration -- which uses animated dolls figures to fill us in on her early life, during which she was married to a King (Sean Bean) who promptly set off into the forest and was not seen again. That left her as the autocratic ruler of a kingdom with painfully high taxes, and the stepmother of Snow White (Lily Collins), who is a captive in the castle until she's 18.
There is a financial crisis. Brighton (Nathan Lane), her aide and accountant, tells her she's broke. That comes at an inconvenient time, because Prince Alcott (Armie Hammer) has wandered into the kingdom, and the Queen knows if she marries him, he can solve her finances. Problem is, she can't even afford the royal ball at which she plans for them to fall in love.