Leonard Cohen: Bird on a Wire
Palmer's film is that rare concert doc that isn't for established fans only.
"Max Dugan Returns" is a sweet little movie that evokes, in its shallow wholesomeness, a world that has pretty well disappeared from TV and the movies. I'm thinking of that lost American paradise inhabited by Blondie and Dagwood, Ozzie and Harriet and the Beaver -- a world where the family gets together for a cute-talk confab in the breakfast nook.
The movie takes place in the Venice Beach area south of Santa Monica. That's a world inhabited largely by movie stars, drug dealers and transvestite roller skaters, but you wouldn't know that from "Max Dugan Returns." The movie stars Marsha Mason as a widowed schoolteacher who's raising her teenage son (Matthew Broderick) with a lot of pluck and cheerfulness.
This is one of those movies that starts right out with little character touches; Mason is provided with a standard-issue Colorful Hollywood Car that bounces like a bronco and backfires on cue.
Then two big things happen in her life. (1) Her car is stolen, and police Lt. Donald Sutherland is assigned to the case. (2) After 30 years, her long-lost father (Jason Robards) returns, bearing a briefcase full of money. While Sutherland and Mason slowly fall in love, Robards moves in and explains that he swindled the money from a Las Vegas casino to even an old score, but now he has only six months to live and wants to get to know his daughter and grandson.