Aloha feels like several films at once, crammed together and sped up, with results that are emotionally hollow and narratively confusing.
The ridiculous scenes are endless. Samples: Walken, surrounded by gunmen and trapped in a burning cabin, scribbles a farewell note in which he observes that he is trapped in the burning cabin, and then he signs his full name so that there will be no doubt who the note was from. Kristofferson, discovering Huppert being gang-raped by several men, leaps in with six-guns in both hands and shoots all the men, including those aboard Huppert, without injuring her. In a big battle scene, men make armored wagons out of logs and push them forward into the line of fire, even though anyone could ride around behind and shoot them. There is more. There is much more. It all adds up to a great deal less. This movie is $36 million thrown to the winds. It is the most scandalous cinematic waste I have ever seen, and remember, I've seen Paint Your Wagon.
Having once made the statement above, I have declined all opportunities to ...
An essay on how technology has rendered us a one-handed species.
An FFC writes about the use of Giuseppe Verdi's "Dies Irae" in "Mad Max: Fury Road".
A final film report from Cannes on two of the last films for 2015: an update of Macbeth and an environmental document...