It’s exciting to see Shyamalan on such confident footing once more, all these years later.
Read the title of "Encounters at the End of the World" carefully, for it has two meanings. As he journeys to the South Pole, which is as far as you can get from everywhere, Werner Herzog also journeys to the prospect of man's oblivion. Far under the eternal ice, he visits a curious tunnel whose walls have been decorated by various mementos, including a frozen fish that is far away from its home waters. What might travelers from another planet think of these souvenirs, he wonders, if they visit long after all other signs of our civilization have vanished?
Herzog has come to live for a while at the McMurdo Research Station, the largest habitation on Antarctica. He was attracted by underwater films taken by his friend Henry Kaiser, which show scientists exploring the ocean floor. They open a hole in the ice with a blasting device, then plunge in, collecting specimens, taking films, nosing around. They investigate an undersea world of horrifying carnage, inhabited by creatures so ferocious, we are relieved they are too small to be seen. And also by enormous seals who sing to one another. In order not to limit their range, Herzog observes, the divers do not use a tether line, so they must trust themselves to find the hole in the ice again. I am afraid to even think about that.
Herzog is a romantic wanderer, drawn to the extremes. He makes as many documentaries as fiction films, is prolific in the chronicles of his curiosity and here moseys about McMurdo, chatting with people who have chosen to live here in eternal day or night.
They are a strange population. One woman likes to have herself zipped into luggage, and performs this feat on the station's talent night. One man was once a banker and now drives an enormous bus. A pipefitter matches the fingers of his hands together to show that the second and third are the same length -- genetic evidence, he says, that he is descended from Aztec kings.