In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_48xgnfxyg4he9kln4dy4adzra2l

A Walk in the Woods

These guys still know how to not just hold our attention but grab it, even if their current film needs them more than they need…

Thumb_large_xbjzcdnnuxx7z1v5g68dtbpgfid

War Room

War Room preaches that we have no call to be righteous and judge others, yet the film itself is righteous and judgmental in the extreme.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Reviews

Dodes'ka-den

Dodes'ka-den Movie Review
  |  

Mediocre filmmakers often continue to work long after their lack of talent has been established because the level of their ambition is low. Great filmmakers, on the other hand, can suddenly find themselves out of work because they've continued to create in their own way and haven't followed the marketplace. Akira Kurosawa of Japan is a great director who finds himself in that dilemma; it's a melancholy fact that the Chicago premiere of his first color film, "Dodes'ka-den," comes nearly five years after it was first shown in Tokyo -- and he hasn't made another film since.

It's a film with a rather strange surface, extending even to stylistic mannerisms we don't expect from a director whose best work ("Ikiru," "Red Beard") can be so naturalistic. But underneath there's still the love and regard for characters caught up in the plights of their lives; Kurosawa is one of the great humanists of cinema. (He has also fashioned a parallel career, and attracted a larger following, as the director of a number of samurai films, including two classics that transcend the genre, "Rashomon" and "The Seven Samurai.")

"Dodes'ka-den" is a film quite unlike the other Kurosawas I've seen. It takes place for the most part in an urban trash heap -- sort of an extension of the ash lands in Fitzgerald's "The Great Gatsby" -- where an assortment of shantytown dwellers live largely circular existences. They seem doomed to learn little, to repeat their mistakes, to be trapped by the system that relegated them to the trash heap in the first place.

The symbol of their existence is a mentally retarded young man (Yoshitaka Zuxhi), who lives in the dump and is fascinated by the life that goes on around him. He is especially taken with the city's streetcars, and comes to believe he is a streetcar himself. He makes regular runs every day, stopping at imaginary stations in the dump, walking like a mechanical doll and repeating the nonsense syllables dodes'ka-den," which is what a streetcar sounds like to him.

The other inhabitants tolerate him and even look out for him, but they have problems of their own, and here Kurosawa exhibits his gift for telling several stories at once, keeping them all alive and moving, allowing them to comment on each other, and somehow never confusing us with his narrative threads. We quickly get to know the local fixtures: a father and son living in an abandoned car, the old and poor but largely happy artist, the squabbling couples, the unhappy children. The action is all commented on by the women at the water faucet, who are half Greek chorus, half harpies.

Kurosawa shot in color, he says, so that the closed lives of these people would not look too grim. But "Dodes'ka-den" is a tragedy in any case. It was his next film after "Red Beard" (1964), an essentially optimistic story of a doctor loving and coping in medieval times, and in the years between Kurosawa seems to have been obsessed with pessimism, with dark thoughts about the aimlessness of human existence. Now he has lapsed into silence again.


Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Wes Craven 1939-2015

An obituary for Wes Craven.

The Unloved, Part 21: Anonymous

Scout Tafoya's Unloved series continues with Roland Emmerich's "Anonymous."

Reveal Comments
comments powered by Disqus