A consistently intelligent (or at least bright), coherently constructed comedy that is on occasion a rather pointed critique of the American education system in the…
Disney's "Brother Bear" is more mystical and New Age than your average animated movie about animals, although it does have a couple of talking moose and a cute cubby bear. It's ambitious in its artistry, incorporating images from prehistoric cave paintings and playing with the screen width. But it doesn't have the zowie factor of "The Lion King" or "Finding Nemo," and is sweet rather than exciting. Children and their parents are likely to relate on completely different levels, the adults connecting with the transfer of souls from man to beast, while the kids are excited by the adventure stuff.
The story begins in a Native American tribe in the Pacific Northwest, thousands of years ago. We meet three brothers: brave older brother Sitka (voice by D.B. Sweeney), strong-willed middle brother Denahi (Jason Raize) and the troublesome young Kenai (Joaquin Phoenix). Each wears a totem around his neck, representing the animal spirit he is identified with. Sitka wears an eagle, Denahi a wolf, and Kenai -- well, Kenai gets a bear, and considers himself short-changed, especially when he's told that the bear represents the quality of love, which he considers pretty far down, so to speak, on the totem pole.
Kenai doesn't like bears, and picks a fight with one that tries to steal his fishing catch; he recklessly chases the bear, and when Sitka tries to protect him, the older brother is killed and is transformed into an eagle. Kenai is counseled by the tribe's wise woman Tanana (Joan Copeland) to accept this outcome as the will of the universe, but determines to kill the bear. He succeeds, but the universe proves it has a sense of justice, or perhaps of humor, by transforming Kenai himself into a bear -- so that Denahi assumes it was Bear Kenai who killed Kid Brother Kenai. Denahi continues the family tradition of vengeance by tracking down Bear Kenai, in an irony that is positively Shakespearean, and no wonder, since I learn that this story was originally inspired by "King Lear," although the notion of three siblings seems to be all that survived.
The opening scenes are in a conventional screen ratio of 1:85 to 1, but after Kenai becomes a bear, the colors deepen and the screen widens to 2:35 to 1, so you'd better hope your projectionist is on his toes. Given Kenai's prejudices about bears, he is extremely unhappy to be one himself, but soon he's getting bear lessons from little Koda (Jeremy Suarez), a cub who shows him the ropes. Kenai discovers from the spirit of Tanana that he must seek Eagle Sitka on a mountain where light touches the Earth, and Koda leads him on the mission -- perhaps because he really knows where the mountain is, perhaps for reasons of his own.
This message came to me from a reader named Peter Svensland. He and a fr...
A look at John Sayles' brilliant "The Brother From Another Planet."