Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
Angels are the celestial beings of choice right now. They're getting good press in the newsweeklies, Broadway plays are written about them, and now here is a retread of the 1951 film "Angels in the Outfield," about how they help a losing team turn around its season, all because of the faith of a little boy.
I have always had my doubts about any form of divine intervention in sports contests. The power of prayer may be remarkable in many other arenas, but why should God want my team to win instead of the other side? Isn't it insulting to request God to even take an interest in baseball? Angels, on the other hand, seem to represent less of a problem, maybe because they have murkier theological functions.
Milton saw them shaking the very heavens, but in our trivializing times they've been downgraded to starring roles in greeting cards and pop songs. This movie is a good career move.
The film opens on a sad note, with little Roger (Joseph Gordon-Levitt), a foster child, in court hoping to be reunited with his father. But the father is a motorcycle loner with no room for a kid on the bike, and so Roger is sent back to stay with the warm woman (Brenda Fricker) who runs his foster home. When will he ever be part of a "real family" again, he asks his dad, who laughs and says, "Not until the Angels win the pennant." He is referring to the California Angels, mired in last place at this point in the film (and at the bottom of the West Division in reality), but Roger consults with little J.P. (Milton Davis, Jr.), who also lives in the foster home, and then prays for heavenly intervention in the team's fate. And before long, amazingly, the Angels start to win. There are plays so sensational that they seem to defy the laws of physics. And only Roger, who can see angels in the outfield and elsewhere, knows why these miracles are happening.