Pirates of the Caribbean: Dead Men Tell No Tales
Been there, plundered that.
The latest edition of Scout Tafoya’s “The Unloved” video essay series focuses on David Cronenberg’s 1996 film “Crash,” as based on the novel by J.G. Ballard. Controversial since its Cannes premiere, the James Spader and Holly Hunter film about the eroticism of car crashes is framed by Tafoya as “a feature length incantation … urging us to allow each wicked sight the potential to change us.” As this “perfect instrument of upset and provocation” takes viewers on its unforgettable, taboo ride, Tafoya assures us that “If you’re still in your chair, then you’re in Cronenberg’s passenger seat.”
This message came to me from a reader named Peter Svensland. He and a fr...
A tribute to the late Roger Moore.
A report from Cannes on the latest from Sofia Coppola, along with reviews of two films from Russia.
A look at the entire "Alien" franchise, and a reappraisal of its unloved installments.