I didn't know what to expect from "100 Bloody Acres," the debut film by sibling writer-directors Colin and Cameron Cairnes; I certainly didn't expect the best low-budget horror comedy since "Shaun of the Dead," and one of the most assured first features in ages.
Table of contents for "Cut to Black," a discussion of The Sopranos' ending and the future of TV drama; contains links to all six episodes, plus transcripts. Participants include RogerEbert.com editor and New York Magazine critic Matt Zoller Seitz, Huffington…
Part 6 of "Cut to Black," a videotaped roundtable discussion about the end of The Sopranos and the future of television drama. Participants include RogerEbert.com editor and New York Magazine critic Matt Zoller Seitz, Huffington Post TV critic Maureen Ryan,…
Part 5 of "Cut to Black," a videotaped roundtable discussion about the end of The Sopranos and the future of television drama. Participants include RogerEbert.com editor and New York Magazine TV critic Matt Zoller Seitz, Huffington Post TV critic Maureen…
Part 4 of "Cut to Black," a videotaped roundtable discussion about the end of The Sopranos and the future of television drama. Participants include RogerEbert.com editor and New York Magazine TV critic Matt Zoller Seitz, Huffington Post TV critic Maureen…
Part 3 of "Cut to Black," a videotaped roundtable discussion about the end of The Sopranos and the future of television drama. Participants include RogerEbert.com editor and New York Magazine TV critic Matt Zoller Seitz, Huffington Post TV critic Maureen…
Part 2 of "Cut to Black," a videotaped roundtable discussion about the end of The Sopranos and the future of television drama. This is the "Did Tony get whacked?" episode, in case you're wondering. Participants include RogerEbert.com editor and New…
Part 1 of "Cut to Black," a videotaped roundtable discussion about the end of The Sopranos and the future of television drama. This chapter talks about the shock of first seeing the Sopranos ending, and viewers' reluctance to accept that…
"World War Z" plays as if somebody watched the similar "28 Days Later" and thought, "That was a good movie, but it would be even better if it cost $200 million, there were millions of zombies, and the hero were perfect and played by Brad Pitt." Which is another way of saying that if you need proof that sometimes more can be less, here you go.
A remembrance by a fan of the late James Gandolfini, one of many people who never met him but was touched by his work, and by his presence.
Great Movies