In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb large 94ncln74lbh4pldzpiad18bphee

Girls Trip

Screenwriters Kenya Barris and Tracy Oliver know how to get the party started and keep it lively.

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Chaz's Journal Archives
Other Articles
Blog Archives
Other Articles
Far Flunger Archives

'Crash' as black comedy/farce

From: Chris Scott, Los Angeles, CA

Reading Roger's defense of "Crash" I came across his description of the following events in the film: "After a carjacking, a liberal politician's wife insists all their locks be changed -- and then wants them changed again, because she thinks the Mexican-American locksmith will send his "homies" over with the pass key. The same locksmith has trouble with an Iranian store owner who thinks the Mexican-American is black. But it drives the Iranian crazy that everyone thinks he is Arab, when they should know that Iranians are Persian. Buying a gun to protect himself, he gets into a shouting match with a gun dealer who has a lot of prejudices about, yes, Arabs."

It was in reading this that I realized "Crash" should have been made as a farce, satire, or black comedy! It would have been far more effective and less patronizing to its audience, just as "Dr. Stangelove" was a far more effective anti-war movie than the self-important "Fail Safe."

Advertisement

Reveal Comments
comments powered by Disqus