In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_pride_ver2

Pride

Takes a formulaic approach but is ultimately very effective in its retelling of the fundraising activities of Lesbians and Gays Support the Miners. Would make…

Thumb_boxtrolls_ver13

The Boxtrolls

"The Boxtrolls" is a beautiful example of the potential in LAIKA's stop-motion approach, and the images onscreen are tactile and layered. But, as always, it's…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Another queasy victim of Shakycam

From Tom Puchniak, Montreal:

Can I suggest you add one more category to film ratings? In addition to things like “language, nudity, violence, sexual situations” etc. it would be a great service to people like me -- who get literally nauseous when watching shaky camera work on a large screen -- if you would include “hand held camera work” or “shaky camera work” in the rating. I have had to walk out of too many films in recent years because the director believes that waving and jerking the camera around constantly gives a sense of immediacy and a documentary feel to a film. Firstly, this is bogus. Most documentary cameramen try to keep the camera steady so the viewer can actually see what is happening on screen. Secondly, the human eye compensates when we run or move around, so that the image does not shake or jiggle. Yet this gimmick is increasingly used by Hollywood film makers and I’ve had to make an early exit to films like “District 9", “The Hurt Locker”, “Once”, and “Syriana”, because of it. Maybe I’m just getting old (I am) but I simply cannot watch films made this way in a cinema with a large screen. And with rare exception, in my opinion it adds nothing to the impact of the film. I would sure like to know if a film features it before buying my ticket.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Why my video essay about "All that Jazz" is not on the Criterion blu-ray

Bob Fosse's masterpiece "All That Jazz" jumps back and forth through the past and the present, and through memory and...

The Unloved, Part Ten: "The Village"

Part ten in Scout Tafoya's The Unloved series tackles "The Village."

Ebert's Most Hated

EDITOR'S NOTE: Sometimes, Roger Ebert is exposed to bad movies. When that happens, it is his duty -- if not necessari...

Reveal Comments
comments powered by Disqus