Jeremy Saulnier makes a striking debut that brings to mind Blood Simple and Pulp Fiction.
From Tom Puchniak, Montreal:
Can I suggest you add one more category to film ratings? In addition to things like “language, nudity, violence, sexual situations” etc. it would be a great service to people like me -- who get literally nauseous when watching shaky camera work on a large screen -- if you would include “hand held camera work” or “shaky camera work” in the rating. I have had to walk out of too many films in recent years because the director believes that waving and jerking the camera around constantly gives a sense of immediacy and a documentary feel to a film. Firstly, this is bogus. Most documentary cameramen try to keep the camera steady so the viewer can actually see what is happening on screen. Secondly, the human eye compensates when we run or move around, so that the image does not shake or jiggle. Yet this gimmick is increasingly used by Hollywood film makers and I’ve had to make an early exit to films like “District 9", “The Hurt Locker”, “Once”, and “Syriana”, because of it. Maybe I’m just getting old (I am) but I simply cannot watch films made this way in a cinema with a large screen. And with rare exception, in my opinion it adds nothing to the impact of the film. I would sure like to know if a film features it before buying my ticket.
The recent #CancelColbert campaign on Twitter raises all kinds of issues about racism, but also about hashtag activism.
Richard Roeper reflects on his long friendship and professional association with Roger Ebert.
"Dawn of the Planet of the Apes" prominently features digital effects in a manner that blurs the line between traditi...
Seonyong Cho offers his appreciation of Steve James' "Life Itself" and gives both the film and the man a thumbs up.