The Truthers
While “The Truthers” isn’t a deconstruction of the genre, it does repeatedly deny viewers the formulaic pleasures that it promises.
While “The Truthers” isn’t a deconstruction of the genre, it does repeatedly deny viewers the formulaic pleasures that it promises.
A gratifying cinematic experience as visually mesmerizing as it is a worthy storytelling contribution to a brilliant fantasy series.
Thankfully, “Ransom Canyon’s” second season course-corrects many of the mistakes of its first.
By the end of its first episode, it’s clear that “Furious” is unlike any other series released this year.
The end of the world will probably be funnier.
Time is running out for this particular crew to enjoy their time as a little space family, and it’ll be bittersweet when it’s finally over.
Will have you texting your fellow true-crime friends to ask if they’ve seen “A Toxic Love Story,” and if they haven’t, they need to get to it.
It’s pure fantasy, and an immature one at that.
In all its genre‑bending, demon‑slaying glory, it does a fine job as a fun genre K‑drama.
A look at how Black men are exploring identity and history through horror television.
Of course, two besties versus an assassin guild with high-speed action and comedic twists is hard to resist, so don’t.
A pleasant enough eight-episode drama that more than looks the part without ever really challenging its audience.
Manages to surprise, even though so many of its beats are predetermined.
“Silo” has been one of the best shows on TV during its first two season; it’s just barely good enough in is third to keep viewers excited to see how it all ends.
The future Harvard Law graduate Elle Woods gets her own high-school-set prequel on Prime Video.
The action scenes are dynamic and exciting, the puzzles are clever, the romance is endearing, and Enola’s commitment to fairness ahead of her society is satisfying.