The Magnificent Seven
Rarely have so many charismatic actors been used in a film that feels quite as soulless as Antoine Fuqua’s update of The Magnificent Seven.
Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program.
She writes film reviews and essays on actors for Capital New York, Fandor, Press Play, Noir of the Week, and the House Next Door. Her work has appeared in Salon.com and The Sewanee Review, where her essay about her father was featured in an Irish Literature issue.
O'Malley has performed her one-woman show "74 Facts and One Lie" all over Manhattan. She has read her personal essays at the prestigious Cornelia Street Cafe Writers Read series. O'Malley writes about actors, movies, books, and Elvis Presley at her popular personal site, The Sheila Variations.
Her first play, July and Half of August, recently had public readings at Theatre Wit in Chicago, and The Vineyard Theatre in New York. She is currently working on her second play, as well as a book about Elvis Presley in Hollywood.
Read her answers to our Movie Love Questionnaire here.
Sheila O'Malley on the art of Joan Crawford, as displayed in a new restoration of 1952's "Sudden Fear."
Sheila writes: Slate reached out to more than 20 prominent film-makers, film critics, scholars, for their favorite movies by black film-makers. The result of that survey is an indispensable list of films, some iconic, some underground hits or cult favorites, and some criminally underseen: The Black Film Canon. There's a fantastic accompanying the video: The Black Film Canon Supercut.
Sheila writes: The Cannes Film Festival is up and running and Rogerebert.com is there! You can check out Rogerebert.com's full coverage in the Table of Contents for the film festival. That post will be updated as more dispatches come in. There is video footage as well, including a memorable moment when Chaz Ebert asked a question at the "Money Monster" press conference. Finally, "Two Weeks in the Midday Sun," Roger Ebert's 1987 book about the Cannes Film Festival, was re-released in May, just in time for the 2016 festival. The re-release has a foreword written by Martin Scorsese, which you can read here.
A review from Tribeca 2016 of Taika Waititi's "Hunt for the Wilderpeople."
A report on three documentaries playing at the 2016 Tribeca Film Festival.
A report on Tribeca Film Festival 2016 entry "The Tenth Man."
A report from Tribeca 2016 on "Mother."
Sheila writes: As I'm sure most of you know, April 4th marked the 3rd anniversary of Roger Ebert's death. There have been various tributes to him all week on Rogerebert.com, including an ongoing series called "Roger's Favorites." Throughout his career as a critic, Roger often championed actors and filmmakers, sometimes pointing them out to his audience before the wider culture had caught on. The editors at Rogerebert.com wrote essays on some of these favorites, and it's already become a rich archive. You can check out the full list here: Roger's Favorites: A Table of Contents.