In Memoriam 1942 – 2013 “Roger Ebert loved movies.”



The multiple twists, double-crosses and leaps in logic are more likely to prompt giggles than gasps, despite the impressive production values and the earnest efforts…


Oasis: Supersonic

While Oasis: Supersonic is never boring, especially for fans, it’s also not quite deep enough to justify its narrow focus, especially at its overlong running…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Roger Ebert

Roger Ebert

Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Boulevard Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder. Since 1989 he has hosted Ebertfest, a film festival at the Virginia Theater in Champaign-Urbana. From 1975 until 2006 he, Gene Siskel and Richard Roeper co-hosted a weekly movie review program on national TV. He was Lecturer on Film for the University of Chicago extension program from 1970 until 2006, and recorded shot-by-shot commentaries for the DVDs of "Citizen Kane," "Casablanca," "Floating Weeds" and "Dark City," and has written over 20 books.

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Africa Addio


Good Times




Guns of the Trees


The Game Is Over


Clouds Over Israel


In Like Flint




Le Petit Soldat


My revised predictions at about 1:40 pm CST 2/24/2013


After giving my Official Outguess Ebert guesses in announcing my annual Oscar winners contest, a few weeks later--with my ear to the ground--I made some revisions: "Silver Linings Playbook" for Best Picture and Emmanuelle Riva for "Best Actress," in "Amour."

My official Outguesses must remain unchanged. My revised predictions don't count. Fair's fair.

An apology. Some readers found it impossible to enter, because of problems with the link. It took them to a registration form for the Sun-Times web site, and you must be registered to enter.

This, and only this, is the correct page for my Guesses. It links to our registration page. They expected to see a ballot.

Here's a link to my review of "Amour." I gave it four stars, and listed it as one of the year's ten Best. Holding an Outguess contest about it may strike some as a trifle silly. Unless you win the Delta Vacaions trip for two for Marvel's "Iron Man 3."

And here is my review of The Weinstein Company's "Silver Linings Playbook."

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Melissa Haizlip: Winner of this year's $25,000 Chaz and Roger Ebert Fellowship at the Indie Spirits Awards


Melissa Haizlip was born in Boston and raised in the Virgin Islands, Connecticut and New York. After attending Yale, she moved to New York where she first collaborated with her uncle Ellis Haizlip when he produced the groundbreaking PBS special "Three by Three" for Great Performances: Dance In America (PBS).

After studying at Yale, and a 25-year career as a professional Broadway stage performer and TV / film actor, Melissa moved to Los Angeles to work in Development at the American Film Institute. She soon began casting for independent features, including "40," a multi-storyline, international thriller set in Turkey and Africa. After winning the Golden Orange Award for best new talent at the Antalya International Film Festival in Turkey 2009, "40" premiered at the Toronto International Film Festival 2010, screened at Osaka 2010, and received special jury mention at Palm Springs 2011.

In 2009, Melissa founded Shoes In The Bed Productions, an independent film production company producing cinematic works of non-fiction with an emphasis on diverse new voices and filmmakers of color. The company's first feature-length documentary, Mr. SOUL! was featured during IFP's Independent Film Week 2010, Spotlight on Documentaries Forum, and is a participant in the 2011 Producers Guild of America Diversity Workshop. Mr. SOUL! screened at the Congressional Black Caucus Foundation's 41st Annual Independent Film Series in 2011. This project is supported in part by the National Endowment for the Arts, which awarded a Spring 2012 Arts in Media grant to support producyion and post production costs of Mr. SOUL! Melissa is a Project: Involve Fellow in Film Independent's Class of 2012-2013.

And here is a link to the the Website for Melissa's film: .

And a link to my review of a previous winner.

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"The Art of the Video Essay," a page by Kevin Lee, grandmaster of the form


By Kevin Lee, Our Far-Flung Correspondent

In the age of YouTube and Vimeo, one of the most exciting developments in film culture are online video essays that explore different aspects of the movies. These videos take footage from films and reconfigure them using editing, text, graphics and voiceover to reveal startling observations and insights, visualizing them in ways that text criticism can't. These videos are typically produced independently by using consumer-level equipment, demonstrating that just about anyone with a computer can be both a filmmaker and a critic. The only limits are those of imagination and intelligence.

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What was my Aunt Martha trying to ask me?


After she had the heart attack out in Michigan on Thanksgiving 1988, I stood by her bedside in the recovery room and she tried so hard to tell me something, but it just didn't work. I loved her so much. Did she know how much? I never told her. There are always questions you wish you'd asked after it's too late to get an answer. Sometimes years can pass before you realize they're questions.

Everyone said I "took after her," and I did. My features are more rounded than anyone else on either side of my family. Martha R. Stumm was the youngest of six surviving children of a Dutch-Irish-German couple who raised their family on a farm outside Tayorville, Illinois. Years after after her father died and her mother opened a boarding house in Urbana, enough oil was found beneath the land to make it worth drilling.

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Siskel & Ebert review B-Rated movies. And C. And D...


Marie writes: It's no secret how we feel about B-rated movie trailers inside the Ebert Club; there's nothing like a steaming pile of crap to inspire a good laugh. And it seems we're not alone. For behold: Siskel & Ebert and "The Stinkers of 1983". To enjoy even more amusing discoveries join the Club and explore a truly eclectic assortment of finds. Your subscription helps support the Newsletter, the Far-Flung Correspondents and the On-Demanders.

Go here to join the Ebert Club. Your subscription helps support the Ebert Club Newsletter, the Far-Flung Correspondents and The Demanders.

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