The One I Love
Unabashedly entertaining at an efficient 91-minutes, "The One I Love" is an extremely confident first feature, with some really fun things to say about identity…
Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Boulevard Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder. Since 1989 he has hosted Ebertfest, a film festival at the Virginia Theater in Champaign-Urbana. From 1975 until 2006 he, Gene Siskel and Richard Roeper co-hosted a weekly movie review program on national TV. He was Lecturer on Film for the University of Chicago extension program from 1970 until 2006, and recorded shot-by-shot commentaries for the DVDs of "Citizen Kane," "Casablanca," "Floating Weeds" and "Dark City," and has written over 20 books.
This letter was received by director Tom DiCillo after publication of our article about the crisis in indie film making, and is reproduced by permission of the author.
From Ryan Sartor, Brookville, NY:
By Roger Ebert
Q: I went to see "No Country for Old Men" with a group of my friends. I was absolutely fascinated and riveted by the film and think it is the best film I have seen thus far this year. My very good friend, who also happens to be a very smart guy, thought the film was terrible. I was shocked. Should I debate the merits of the film with him? Is it even worth debating such a wonderful film when the person you are debating with has no appreciation for it, and does it pose a risk to the friendship?
By Roger Ebert
Q: To me, "Beowulf" was one of the most thrilling movies ever. I can't believe you thought people should have been laughing at it.
From Ali Arikan, Istanbul, Turkey:
Herzog's Minnesota Declaration: Defining 'ecstatic truth'
Mark Olmstead is the father of Marla Olmstead, the young artist seen in the documentary "My Kid Could Paint That." Ebert's review is here.
Q: One of the things that's been bugging my inner biology geek about "Bee Movie" is that Jerry Seinfeld is the wrong sex to be a worker bee. All worker bees are female, and they're the only ones who would ever have to worry about pollination, honey-making and all the other things the movie identifies as being general bee behavior. Last year, "Barnyard" made a similar mistake, by giving udders to male cows, and received widespread derision for it.