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Don't Think Twice

Mike Birbiglia's beautiful, sneakily profound comedy shows a world where "Yes, and ... " is the default.

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Star Trek Beyond

The Star Wars-ification of Star Trek continues; better than the others, but still not good enough.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Roger Ebert

Roger Ebert

Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Boulevard Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder. Since 1989 he has hosted Ebertfest, a film festival at the Virginia Theater in Champaign-Urbana. From 1975 until 2006 he, Gene Siskel and Richard Roeper co-hosted a weekly movie review program on national TV. He was Lecturer on Film for the University of Chicago extension program from 1970 until 2006, and recorded shot-by-shot commentaries for the DVDs of "Citizen Kane," "Casablanca," "Floating Weeds" and "Dark City," and has written over 20 books.

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Africa Addio

(1967)

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Good Times

(1967)

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Hombre

(1967)

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Guns of the Trees

(1967)

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The Game Is Over

(1967)

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Clouds Over Israel

(1967)

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In Like Flint

(1967)

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Galia

(1967)

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Le Petit Soldat

(1960)

Movie Answer Man (12/20/2007)

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Q. I am a devoted fan of Ian McEwan’s novel "Atonement," one of those books that raises your heartbeat and ignites conflicting emotions and thoughts like fireworks exploding in the sky. So many nights I returned to that book to amuse myself for several hours by just repeating the poetry of McEwan’s prose, its words melting over my tongue like butter.

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Movie Answer Man (12/13/2007)

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Q: The box-office returns for "The Golden Compass" last weekend were modest at best. The film is estimated to have cost more than $150 million and will have a hard time making its money back. The financial disappointment could be catastrophic for New Line Cinema. Not to mention the fact that any chance of an adaptation of The Subtle Knife and The Amber Spyglass (rest of the trilogy) are now slim to nil. Since you gave the film a positive review, what is your opinion of the box-office returns?

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