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Nightcrawler

A perfect engine of corrosive satire, this drama follows the adventures of an amoral cameraman to its logical and unsettling end.

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Horns

There are some clever ideas in the script from Keith Bunin, based on the novel by Joe Hill, but they get mixed up in some…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Roger Ebert

Roger Ebert

Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Boulevard Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder. Since 1989 he has hosted Ebertfest, a film festival at the Virginia Theater in Champaign-Urbana. From 1975 until 2006 he, Gene Siskel and Richard Roeper co-hosted a weekly movie review program on national TV. He was Lecturer on Film for the University of Chicago extension program from 1970 until 2006, and recorded shot-by-shot commentaries for the DVDs of "Citizen Kane," "Casablanca," "Floating Weeds" and "Dark City," and has written over 20 books.

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Casino Royale

(1967)

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Africa Addio

(1967)

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Good Times

(1967)

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Hombre

(1967)

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Guns of the Trees

(1967)

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The Game Is Over

(1967)

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Clouds Over Israel

(1967)

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In Like Flint

(1967)

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Galia

(1967)

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Le Petit Soldat

(1960)

No country to be wrong about

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Q: I went to see "No Country for Old Men" with a group of my friends. I was absolutely fascinated and riveted by the film and think it is the best film I have seen thus far this year. My very good friend, who also happens to be a very smart guy, thought the film was terrible. I was shocked. Should I debate the merits of the film with him? Is it even worth debating such a wonderful film when the person you are debating with has no appreciation for it, and does it pose a risk to the friendship?

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