The Danish Girl
The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.
Michał Oleszczyk is a film critic and scholar based in Poland. In 2012, he has been named the Critic of the Year by the Polish Film Institute.
His work has appeared in numerous Polish outlets, as well as on American websites such as “Fandor”, “The House Next Door” and “Hammer to Nail."
Oleszczyk wrote the first Polish book on the films of Terence Davies and has published a translation of J. Hoberman and Jonathan Rosenbaum’s “Midnight Movies." After having defended a Ph.D. thesis on the work of Pauline Kael, he has taught film at Polish universities, as well as worked as a programmer for Off Plus Camera International Film Festival.
A report on the environment at Cannes and the art of queuing.
A Cannes report on the newest from Corneliu Porumboiu.
A review of Paolo Sorrentino's latest from Cannes.
A report on the new film by José Luis Rugeles.
A report on the premiere of the latest from Pixar at Cannes 2015.
A report on the Lumière presentation from this year's Cannes Film Festival.
An interview with the writer and director of "One Floor Below".
A dispatch from Cannes on Naomi Kawase's "An" and Radu Muntean's "One Floor Below".
An introduction to Cannes 2015 from Michal Oleszczyk.
Our Far-Flung Correspondent Brings Explosive Polish 1980s Sci-Fi to NYC