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Make Your Move

With camerawork and editing that allows us to truly enjoy the footwork of its stars, "Make Your Move" is a vibrant, fun dance movie.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Michał Oleszczyk

Michał Oleszczyk

Michał Oleszczyk is a film critic and scholar based in Poland. In 2012, he has been named the Critic of the Year by the Polish Film Institute.

His work has appeared in numerous Polish outlets, as well as on American websites such as “Fandor”, “The House Next Door” and “Hammer to Nail."

Oleszczyk wrote the first Polish book on the films of Terence Davies and has published a translation of J. Hoberman and Jonathan Rosenbaum’s “Midnight Movies." After having defended a Ph.D. thesis on the work of Pauline Kael, he has taught film at Polish universities, as well as worked as a programmer for Off Plus Camera International Film Festival.

Recent Reviews

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Stranger by the Lake

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Stranger by the Lake

(2014)

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I'm So Excited!

(2013)

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The Door

(2013)

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The We and the I

(2013)

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Everybody in Our Family

(2012)

Hot Tickets: "Lovelace" and "Before Midnight"

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Rob Epstein and Jeffrey Friedman's "Lovelace" tells the story of the eponymous porn star who stunned the world with her sexual talents in "Deep Throat" (1972), only to pay a dear price for her brief flash of celebrity. Linda Lovelace, as played by Amanda Seyfried, was a love-hungry, innocent young girl led astray by Chuck Traynor, a manipulative pimp of a husband, whose affection quickly turned into exploitation.

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Disney magic: The terror of constant entertainment

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The Disney mystique is a secular religion so global, powerful and self-contained -- not to mention litigious -- that it practically courts desecration. Randy Moore's "Escape from Tomorrow," which just premiered at Sundance and is unlikely to come to a theater near you any time soon, is the boldest act of cinematic violation at least since the "Mickey Mouse Club" finale of Stanley Kubrick's "Full Metal Jacket" (in which scores of American soldiers in Vietnam adopted the show's anthem as a deranged battle cry).

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