"The Congress" is a roll call of the orgiastic pleasures and bountiful comforts that art provides, and, a reminder of what waits for us when…
Michał Oleszczyk is a film critic and scholar based in Poland. In 2012, he has been named the Critic of the Year by the Polish Film Institute.
His work has appeared in numerous Polish outlets, as well as on American websites such as “Fandor”, “The House Next Door” and “Hammer to Nail."
Oleszczyk wrote the first Polish book on the films of Terence Davies and has published a translation of J. Hoberman and Jonathan Rosenbaum’s “Midnight Movies." After having defended a Ph.D. thesis on the work of Pauline Kael, he has taught film at Polish universities, as well as worked as a programmer for Off Plus Camera International Film Festival.
Writer Michał Oleszczyk responds to our Movie Love Questionnaire.
A series of Polish films brings Krzysztof Kieslowski’s early work to NYC.
Michał Oleszczyk reflects on "It Happened One Night."
Michał Oleszczyk talks with director James Gray about "The Immigrant."
Roman Polanski's "Venus in Furs" served as a perfect closing movie of this year's Main Competition at Cannes.
Will Michael Douglas take home a Best Actor prize from Cannes for his turn as Liberace in "Behind the Candelabra"?
Jerry Lewis returns to Cannes in a starring role in Daniel Noah's "Max Rose," which proves once again — as "The King of Comedy" did — that Lewis can deliver a nuanced serious performance.
James Toback discusses his new documentary, "Seduced and Abandoned," which traces the life of a failed movie project. He also discusses the ultimate fate of humanity. Seriously.
The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Billy Wilder's under-appreciated 1978 "Fedora" returns to Cannes to remind us that some things, like the fear of aging among celebrities, never change.