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Matt Fagerholm

Matt Fagerholm

Matt Fagerholm is the former Literary Editor at RogerEbert.com and is a member of the Chicago Film Critics Association. He spent four years writing film reviews and interviews for HollywoodChicago.com and has contributed to a variety of publications including Time Out Chicago, The A.V. Club, No Film School, Cinema Femme and Magill's Cinema Annual. His writing/editing experience includes serving as Assistant A&E Editor at the Columbia Chronicle and a full-time writer interviewing such icons as Betty White, Ed Asner and Judy Collins at the Woodstock Independent. For nearly a decade, he served as a monthly guest on Vocalo radio's The Morning AMp program, and is also the founder of Indie Outlook, a blog and podcast featuring exclusive interviews with some of the most exciting voices in modern independent filmmaking. Follow him on Twitter at @IndieOutlook and @mattfagerholm.

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Papa: Hemingway in Cuba
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Ebert Club

#298 March 21, 2017

Matt writes: In his list ranking the best films of 1987, Roger Ebert included Taylor Hackford’s “Chuck Berry: Hail! Hail! Rock and Roll!,” calling it “the year's best musical documentary, a rollicking and sometimes revealing record of the attempt by…

Features

Thumbnails 3/17/17

Stephen Cone on "Personal Shopper"; Jack C. Newell on "Open Tables"; Not-so-secret life of Terrence Malick; Studio Ghibli's girl power; Éric Rohmer's battle of the sexes.

Ebert Club

#297 March 7, 2017

Matt writes: Just yesterday, the winners in RogerEbert.com's recent giveaway were announced. Each of them received a copy of The Great Movies IV, the final installment in Roger Ebert's collection of essays analyzing some of the greatest achievements in cinema.…

Features

Thumbnails 3/3/17

"Get Out" is the best movie about American slavery; In praise of Jordan Horowitz; That Oscars shocker; Painful black/white Oscar moment; Who killed "Twin Peaks."

Features

Thumbnails 2/27/17

Peyton Kennedy on "American Fable"; Dale Robinette's iconic "La La Land" photo; Hollywood diversity report; "I Am Not Your Negro" and white film critics; ReFrame tackles gender inequality.