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Goodbye to Language

Jean-Luc Godard's latest free-form essay film may be, more than anything else, a documentary of a restless mind.

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The Great Invisible

Winner of the SXSW Grand Jury Prize for Documentary, the film is strongest when it focuses on the micro rather than the macro. How the…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Contributors

Matt Fagerholm

Matt Fagerholm

Matt Fagerholm is the Assistant Editor at Ebert
Publishing and a member of the Chicago Film Critics Association. He
spent four years writing film reviews and interviews for
HollywoodChicago.com and has contributed to a variety of publications
including Time Out Chicago, The A.V. Club and Magill's Cinema Annual. He
is also the founder of Indie Outlook, a blog and podcast featuring
exclusive interviews with some of the most exciting voices in modern
independent filmmaking.

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David Lowery on "Force Majeure"; Rick Perlstein on "Life Itself"; Jacqueline Keeler responds to Matthew McConaughey; Beatrice Welles on "The Other Side of the Wind"; Brandy Burre on "Actress."

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Facebook's unsung laborers; "Mulholland Drive" is a great horror film; Felicia Day on GamerGate; Extra faces penalty for revealing Batman spoiler; Samuel Fuller's daughter makes documentary.

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Why "Mrs. Doubtfire" is Robin Williams's greatest role; Alex Ross Perry on "Listen Up Philip"; Keanu Reeves on "John Wick"; Blackwater founder remains free; Six films to remember from Chicago fest.

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"The San Francisco Bay Guardian" shuts down; Gabriel García Márquez chats with Akira Kurosawa; Kim Dickens on Fincher's "woman problem"; Comedy club charges per laugh; R.I.P. Elizabeth Peña.

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