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The Magnificent Seven

Rarely have so many charismatic actors been used in a film that feels quite as soulless as Antoine Fuqua’s update of The Magnificent Seven.

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The Age of Shadows

At 140 minutes, Kim sometimes loses the rhythm of his spy thriller, but he's such a confident filmmaker—and his leading man such a magnetic presence—that…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Matt Fagerholm

Matt Fagerholm

Matt Fagerholm is an Assistant Editor at Ebert
Publishing and is a member of the Chicago Film Critics Association. He
spent four years writing film reviews and interviews for
HollywoodChicago.com and has contributed to a variety of publications
including Time Out Chicago, The A.V. Club and Magill's Cinema Annual. His writing/editing experience includes serving as Assistant A&E Editor at the Columbia Chronicle and a full-time writer at the Woodstock Independent. He is a monthly guest on Vocalo radio's The Morning AMp program, and is also the founder of Indie Outlook, a blog and podcast featuring
exclusive interviews with some of the most exciting voices in modern
independent filmmaking. Follow him on Twitter at @IndieOutlook.

Recent Reviews

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Miss Sharon Jones!
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Hooligan Sparrow
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Lucha Mexico

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Miss Sharon Jones!

(2016)

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Hooligan Sparrow

(2016)

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Lucha Mexico

(2016)

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Careful What You Wish For

(2016)

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Welcome to Happiness

(2016)

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A Light Beneath Their Feet

(2016)

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Papa: Hemingway in Cuba

(2016)

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Boom Bust Boom

(2016)

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Rabin, the Last Day

(2016)

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Lazer Team

(2016)

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Very Semi-Serious

(2015)

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Democrats

(2015)

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Dangerous Men

(2015)

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The Russian Woodpecker

(2015)

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Endgame

(2015)

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Captive

(2015)

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90 Minutes in Heaven

(2015)

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Rosenwald

(2015)

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War Room

(2015)

#285 September 20, 2016

Matt writes: Legendary French New Wave icon Agnès Varda was honored at the third annual Ebert Tribute ceremony during this year's Toronto International Film Festival. Brian Tallerico covered the event at RogerEbert.com, while Chaz Ebert assisted in putting together a Roger Favorites entry on Varda, compiling Roger's reviews of the director's work. Roger felt that Varda's 2008 film, "The Beaches of Agnès," contained “the most poetic shot about the cinema” that he had ever seen, in which “two old fishermen, who were young when she first filmed them, watch themselves on a screen” mounted on “an old market cart that they push through the nighttime streets of their village.”

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#284 September 6, 2016

Matt writes: In his captivating 2005 memoir, Kiss Me Like a Stranger, Gene Wilder reflected on his experience of making Mel Brooks' 1974 comic masterpiece, "Young Frankenstein." He likened making the picture to "taking a small breath of Heaven" each day, and that is what the film feels like every time I watch it. Wilder passed away on August 29th at age 83, leaving behind a timeless legacy that was celebrated at RogerEbert.com with Peter Sobczynski's beautiful obituary. Ebert himself gave four stars to several Wilder classics, including 1971's "Willy Wonka and the Chocolate Factory," 1974's "Blazing Saddles" and of course, 1974's "Young Frankenstein," a film that earned Wilder an Oscar nomination for the screenplay he co-authored with director Mel Brooks. In his review, Roger wrote that the film "shows artistic growth and a more sure-handed control of the material by a director who once seemed willing to do literally anything for a laugh. It’s more confident and less breathless."

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