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Nerve

Nerve wants to be a cautionary tale about the perils of desiring fame through social media, but it isn’t willing to go to the darker…

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Star Trek Beyond

The Star Wars-ification of Star Trek continues; better than the others, but still not good enough.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Contributors

Matt Fagerholm

Matt Fagerholm

Matt Fagerholm is an Assistant Editor at Ebert
Publishing and is a member of the Chicago Film Critics Association. He
spent four years writing film reviews and interviews for
HollywoodChicago.com and has contributed to a variety of publications
including Time Out Chicago, The A.V. Club and Magill's Cinema Annual. His writing/editing experience includes serving as Assistant A&E Editor at the Columbia Chronicle and a full-time writer at the Woodstock Independent. He is a monthly guest on Vocalo radio's The Morning AMp program, and is also the founder of Indie Outlook, a blog and podcast featuring
exclusive interviews with some of the most exciting voices in modern
independent filmmaking. Follow him on Twitter at @IndieOutlook.

Recent Reviews

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Hooligan Sparrow
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Lucha Mexico
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Careful What You Wish For
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Welcome to Happiness

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Hooligan Sparrow

(2016)

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Lucha Mexico

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Careful What You Wish For

(2016)

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Welcome to Happiness

(2016)

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A Light Beneath Their Feet

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Papa: Hemingway in Cuba

(2016)

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Boom Bust Boom

(2016)

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Lazer Team

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Democrats

(2015)

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Dangerous Men

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The Russian Woodpecker

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Endgame

(2015)

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Captive

(2015)

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90 Minutes in Heaven

(2015)

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Rosenwald

(2015)

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War Room

(2015)

#281 July 26, 2016

Matt writes: Garry Marshall, the comedy mastermind behind several iconic TV shows and hit films, died last Tuesday at age 81. He leaves behind a rich legacy that did not go unnoticed by Roger Ebert. The critic greatly admired Marshall's 1984 film, "The Flamingo Kid," hailing its star, Matt Dillon, as a revelation. Ebert also loved Marshall's phenomenally successful 1990 romantic comedy, "Pretty Women," which launched the career of Julia Roberts. "[Marshall's] films betray an instinctive good nature," wrote Ebert in his three-and-a-half-star review, "and [this film] is about as warmhearted as a movie about two cold realists can possibly be." For heartfelt eulogies, check out the obituary penned by Susan Wloszcyzyna at RogerEbert.com, as well as Hadley Freeman’s remembrance at The Guardian. For guaranteed laughs, check out the clip embedded below of Marshall in an unforgettable excerpt from Albert Brooks' 1985 classic, "Lost in America," a scene that Ebert claimed was the best in the movie. It's hard not to agree with him.

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#280 July 12, 2016

Matt writes: Abbas Kiarostami, who passed away July 4th at age 76, was one of the great masters of the cinematic art form. I'll never forget the experience of watching his 1990 landmark, "Close-Up," in its pristine Criterion edition, or becoming entranced by his 2010 masterwork, "Certified Copy," when I first saw it on the big screen. Patrick Z. McGavin wrote a beautiful tribute to Kiarostami, as did Godfrey Cheshire, who reflected on his friendship with the icon. Various staff members at RogerEbert.com also pitched in to offer their own remembrances in a lovely multi-voice piece. 

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