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Penguins of Madagascar

The pacing is so zany, the jokes are so rapid-fire and the sight gags are so inspired that it’s impossible not to get caught up…

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Horrible Bosses 2

The law of diminishing returns, which has afflicted so many comedy sequels over the years, strikes again in “Horrible Bosses 2,” further proving that just…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Contributors

Matt Fagerholm

Matt Fagerholm

Matt Fagerholm is the Assistant Editor at Ebert
Publishing and a member of the Chicago Film Critics Association. He
spent four years writing film reviews and interviews for
HollywoodChicago.com and has contributed to a variety of publications
including Time Out Chicago, The A.V. Club and Magill's Cinema Annual. He
is also the founder of Indie Outlook, a blog and podcast featuring
exclusive interviews with some of the most exciting voices in modern
independent filmmaking.

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How "Maleficent" subverts Christian symbolism; A crash course in diva; Anne de Mare and Kirsten Kelly on "The Homestretch"; "Sports Night" was Aaron Sorkin at his best; Peter Erskine on "Whiplash."

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Stop freaking out about Lena Dunham; The cheapening of independent film; In defense of Renee Zellweger; Undervalued strengths of "White Bird in a Blizzard"; How big media shot itself in the foot.

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