Jimi: All Is by My Side
What’s fascinating about “Jimi: All Is By My Side” is not only its decision to show us this particular chapter in Hendrix’s life, but also…
Matt Fagerholm is the Assistant Editor at Ebert
Publishing and a member of the Chicago Film Critics Association. He
spent four years writing film reviews and interviews for
HollywoodChicago.com and has contributed to a variety of publications
including Time Out Chicago, The A.V. Club and Magill's Cinema Annual. He
is also the founder of Indie Outlook, a blog and podcast featuring
exclusive interviews with some of the most exciting voices in modern
Migizi Pensoneau on "The Daily Show"; Why NYT TV criticism is so bad; Netflix's terrible selection; David Simon on the death of the middle class; John Cusack: "Hollywood is a whorehouse."
The movies' greatest pop music moments; Filmmakers can use drones; Lena Dunham's advice series; The genius of "Lolita"; How men talk about relationships in rom-coms.
Is feature filmmaking dead?; Gripes with "This Is Where I Leave You"; Remembering Peter von Bagh; "Raiders of the Lost Ark" in black-and-white; B. Ruby Rich on "Life Itself."
Drew Tobia on "See You Next Tuesday"; Charles M. Blow: "Up From Pain"; Talking about Kevin Smith; Rob Walker on "The Haunting"; Joe Berlinger on the changing market for documentaries.
"Mahogany," Diana Ross and me; Nathan Rabin on John Green; Hidden plight of child grooms; 10 tips on turning your short film into a feature; Variety critics list best festival films of 2014.
David Lowery on "Stray Dogs"; Black stars top box office; What makes a film "gay"; David Lynch on "Eraserhead"; 10 worst films on "Mystery Science Theatre 3000."
The death of adulthood in American culture; Forget wife-beating, enjoy football; Travels in Poland and Israel; Rape culture in Alaska; Tackling the GamerGate controversy.
An interview with the star of "The Guest," Dan Stevens, and the director and writer, Adam Wingard and Simon Barrett.
Remembering Richard Kiel; Kevin Smith on "Tusk"; Julianne Moore shines in "Still Alice"; New war on big money in politics; How Stephen King teaches writing.
"Snowpiercer" and the future of film; The longer cut of "Nymphomaniac"; Pauline Kael's worst reviews; "Alive" earns a rave at Toronto; The bold creativity of "The Leftovers."