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A Girl Walks Home Alone at Night

Some of the images sit there unmoving for too long, but that very same stasis also helps create and enforce the underlying tension, the tormented…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Contributors

Matt Fagerholm

Matt Fagerholm

Matt Fagerholm is the Assistant Editor at Ebert
Publishing and a member of the Chicago Film Critics Association. He
spent four years writing film reviews and interviews for
HollywoodChicago.com and has contributed to a variety of publications
including Time Out Chicago, The A.V. Club and Magill's Cinema Annual. He
is also the founder of Indie Outlook, a blog and podcast featuring
exclusive interviews with some of the most exciting voices in modern
independent filmmaking.

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How "Maleficent" subverts Christian symbolism; A crash course in diva; Anne de Mare and Kirsten Kelly on "The Homestretch"; "Sports Night" was Aaron Sorkin at his best; Peter Erskine on "Whiplash."

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Stop freaking out about Lena Dunham; The cheapening of independent film; In defense of Renee Zellweger; Undervalued strengths of "White Bird in a Blizzard"; How big media shot itself in the foot.

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