Same Kind of Different as Me
It can be hard to disagree with the heart and events of this true tale, except for when the movie reveals itself to be mighty…
Roger's review of "Last Tango in Paris"
Why did I choose this review?
As a film studies student in the late '90s, it wasn’t uncommon for me to look for film essays deconstructing some of the movies we watched in class. It also wasn’t uncommon for Roger’s critiques to come up in the first page of a search. (Here’s a bit of trivia: in those days, you couldn’t cheat search rankings.)
While drumming up material for an essay on Bertolucci, I came upon Roger’s 1995 revisit of “Last Tango in Paris.” What struck me about it was this quote:
“I once had a professor who knew just about everything there was to know about ‘Romeo and Juliet,’ and told us he would trade it all in for the opportunity to read the play for the first time. I felt the same way during the screening: I was so familiar with the film that I was making contact with the art instead of the emotion.”
A couple of things occurred to me just then:
Like many people not from Chicago, I’d known Roger as a film reviewer on TV. This is when it hit home that he was a writer—a really freakin’ good one—as well.
Deconstructing any art form robs you of the pleasure of experiencing it for the first time. This is one of the plights of the critic.
From that moment on, I would try to read Roger’s reviews after seeing a movie so I could experience more of them without a preamble. Not that Roger spoiled anything (he was careful not to). It was more like relishing the possibilities of something you didn’t expect.
I discovered this review of Roger’s during my first year in Montreal, a city located some 1,000 km away from my hometown. I’ve often said that nothing could replace that first year in Montreal. So far, nothing has.
A special edition of Thumbnails detailing the recent sexual harassment cases in the entertainment and tech industries...
A column on the lack of diversity in this year's potential Oscar nominees.
A Great Movie is hidden somewhere within "Blade Runner" and "Blade Runner 2049."
No character in “Blade Runner 2049” is more relatably human than Luv.