Slick, glossy and radiating juicy villainy, it knows exactly what kind of movie it is and goes for it with giddy abandon.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The first time I made a year-end list for Scanners, I did it by suggesting double-bills of 2006 films with older films (much like what contributors to The Auteurs did this year). In 2007, I made my first year-end movie, inspired by "L'Eclisse," as a tribute to the late Michelangelo Antonioni and a commentary on the WGA strike that was happening at the time. Last year, the concept was based on a shot of Hannah Schygulla, Goddess of Cinema, waking up, looking into the camera (in Fatih Akin's "The Edge of Heaven") and dreaming fragments of the films on my list.
This year, I'm not quite sure how it came together (see opening title), but I took my cue from my favorite movie of the year, the Coens' "A Serious Man." I knew I didn't want to adhere to any rigid countdown hierarchy this time, but to let the movies converse with themselves through images. I chose the word "conversation" knowing there would be no dialog except at the very beginning and the very end, with the Jefferson Airplane song "Somebody to Love" (recurring element in "A Serious Man") in between. That gave me approximately 2 minutes and 58 seconds for the montage....