"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
“The White Countess” (2005) (producer)
LOS ANGELES -- A story about four broken-down gunfighters, told in a broken-down genre, walked away with the top honors here Monday night at the 65th annual Academy Awards.
Hollywood has been waiting a long time to give Clint Eastwood an Oscar, and my hunch is, the wait is over. Eastwood's "Unforgiven," an elegiac Western about a retired gunfighter who pulls himself together for one final campaign, will win the best picture award when the Academy of Motion Picture Arts and Sciences gathers on the night of Monday, March 29.
Ebert's Best Film Lists 1967 - present
TORONTO -- Shirley MacLaine hadn't made a film for almost five years, not since she won the Oscar for "Terms of Endearment," and so when the role of the old piano teacher came along, maybe her first thought was to take a pass. She would have to play old and look old, and be just as stubborn at the end of the movie as she was at the beginning. Was this trip necessary?