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Office Christmas Party

Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…

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Harry Benson: Shoot First

The filmmakers are themselves too celebrity besotted to comment in a meaningful way on how Benson’s career balanced depictions of the rich and famous with…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#140 October 31, 2012

Marie writes: The ever intrepid Sandy Khan shared the following item with the Newsletter and for which I am extremely glad, as it's awesome..."Earlier this year, the Guggenheim Museum put online 65 modern art books, giving you free access to books introducing the work of Alexander Calder, Edvard Munch, Francis Bacon, Gustav Klimt & Egon Schiele, and Kandinsky. Now, just a few short months later, the Metropolitan Museum of Art has launched MetPublications, a portal that will "eventually offer access to nearly all books, Bulletins, and Journals" published by the Met since 1870."

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#26 September 1, 2010

From the Grand Poobah: Here in Michigan Oink's ice cream parlor exerts a magnetic pull on helpless citizens for miles around. I can no longer sample their countless flavors, but not log ago I took Kim Severson there. She is a New York Times writer doing a piece on The Pot. Oink's is run by my friend Roger Vink, who says, "May the Oink be with you."

(click photos to enlarge)

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Ebert reviews Johnny Depp

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Just think: Johnny Depp could have had the career of, say, Richard Grieco. In 1988, they were both break-out stars, young TV cops working undercover as high school students in the fledgling Fox network's first hit show, "21 Jump Street."

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Redford reflects on indie films, political climate

PARK CITY, Utah--Robert Redford remembers the early years of the Sundance Film Festival: "We had 30 or 40 films, in two theaters. I was standing in the street outside the Egyptian Theater, handing out brochures like a street hawker, trying to talk people into coming inside. I saw David Puttnam, who was running Columbia at that time, and gave him the pitch. He went in, saw Jim McBride's 'The Big Easy,' and bought it. That was the first film bought at Sundance."

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