One of the essential American films of 2016.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Marie writes: I have no words. Beyond the obvious, that is. And while I'm okay looking at photos, the video.... that was another story. I actually found myself turning away at times, the suspense too much to bear - despite knowing in advance that he's alive and well and there was nothing to worry about. The bottom of my stomach still fell out...
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"As a sequence is being cut, the cutter should know where a particular setup most effectively presents the information needed for that particular part of the scene. In other words, he will stay with the shot as long as that shot is the one which best delivers the required information and cut to another shot only when the new cut will better serve the purposes of the scene, whether because the size is more effective, the composition is more suitable, or the interpretation is superior.... In short, as long as the scene is playing at its best in the selected angle, leave it alone!" -- veteran Hollywood director Edward Dmytryk ("Murder, My Sweet," "Crossfire," "The Caine Mutiny"), On Film Editing (1984)
Steven Boone at Big Media Vandalism says he gave up on film criticism (for the fourth or fifth time) this year:
I quit film criticism because somebody has banished the shot from mainstream commercial cinema.
The shot, man.
That unit of film composition which lends film its cumulative power and structural integrity.
In place of the shot, like a leaky sandbag in place of a brick, somebody put... Well, what to call it, this fragment of film that has more in common with a spontaneous cutaway during Monday Night Football than with the ruminative, kinetic moving image discovered by Kuleshov, Porter, Griffith, et al? I once jokingly called it a gotcha-fragment, but that doesn't quite get it. The word for "shot" in the new century shall be...
The Festival International du Film, held annually in Cannes, France, has become the world's most prestigious film festival—the spot on the beach where the newest films from the world's top directors compete for both publicity and awards.