Superficially, this is a horror movie, although its distinct lack of such important elements as mounting suspense and genuine scares forces us to think otherwise.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A tribute to Jean-Luc Godard in light of the retrospective "Godard: The First Wave," playing at the Siskel Film Center in Chicago.
Q. In your review of "Ice Princess," you wrote, "The surprise is that Michelle Trachtenberg seems able to skate, too. That didn't look like a double on the ice, although Variety, the show-biz bible, reports, 'Four different skaters sub for Trachtenberg in the more difficult performances.'"
From the revolutionary visual strategies of his first film, "Breathless" (1960), to his recent experiments with video, the French director Jean-Luc Godard has been on the cutting edge of cinema. The Music Box revival of a restored version of his "Contempt" (1963) is an occasion to review some of the landmarks in his career.