While Oasis: Supersonic is never boring, especially for fans, it’s also not quite deep enough to justify its narrow focus, especially at its overlong running…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Sheila writes: Nelson Carvajal and Jed Mayer, over at Press Play, present a video and an essay about the "scary summer" of 1979. It's a beautiful blend of autobiography and cultural and film memories from that particular summer. Jed Mayer writes: "As tag-lines go, George Romero’s Dawn of the Dead sports a pretty good one: 'When there’s no more room in Hell, the dead will walk the earth.' I stared for weeks at the lurid poster bearing these ominous words. It hung in the front windows of the Maplewood Mall multiplex. Looking back, I think a more fitting tag-line might have come from a speech given by President Jimmy Carter later that same summer: 'Often you see paralysis and stagnation and drift. What can we do?'" Well worth a look!
Look at it this way. We have the chance to see virtually every American film that's released, and many of the English language films in general. But with the crisis in U.S. distribution, the only foreign-language films are those someone paid hard cash for, and risked opening here. "You always like those foreign films," I'm told, often by someone making it sound like a failing. Not always, but often. They tend to involve characters of intelligence and complexity. If
CANNES, France -- Regulars are beginning to murmur cautiously that this may be one of the best Cannes Film Festivals in recent years. Even Lars von Trier's sequel to "Dogville" is a success. One strong film has followed another, and every day the buzz about possible festival winners gets revised.
Check back for Roger Ebert's dispatches from the 58th Festival de Cannes, May 11 - 22, 2005.