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Sand Storm

A fairly familiar critique of patriarchy from a humanist and feminist perspective, but one that’s put across with some very impressive filmmaking skills by a…

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The Age of Shadows

At 140 minutes, Kim sometimes loses the rhythm of his spy thriller, but he's such a confident filmmaker—and his leading man such a magnetic presence—that…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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Why whales are beaching themselves; The Lone Ranger was black; Matt Singer out, Sam Adams in at CriticWire; when is Jia Zhangke going to tell us what he really thinks?; Sweet November, from 1968.

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Dan Dailey's long journey into night: Memories of a song-and-dance man

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The roar of the greasepaint, the smell of the crowd, Anthony Newley called it, and after the final curtain call of "The Odd Couple," backstage, all Dan Dailey wanted to do was get out of his makeup and into a dressing gown. This night was to be an occasion, the birthday of Joe Jamrog, an understudy who had just played Murray the Cop, and there was a pot of coffee and a birthday cake in one of the dressing rooms.

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