A Woman, a Part
A Woman, a Part mixes passion and ambivalence to create a work whose ambiguities seem earned, and lived in
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Marie writes: Each year, the world's remotest film festival is held in Tromsø, Norway. The Tromsø International Film Festival to be exact, or TIFF (not to be confused with Toronto.) Well inside the Arctic Circle, the city is nevertheless warmer than most others located on the same latitude, due to the warming effect of the Gulf Stream. This likely explains how they're able to watch a movie outside, in the snow, in the Arctic, in the winter. :-)
After commenting on George Clooney as Hollywood star, and as star of the very excellent Jason Reitman film UP IN THE AIR, I decided to shift attention to a similar figure in Bollywood cinema: Aamir Khan. Aamir Khan is the star of the most successful Bollywood movie in history, the comedy THREE IDIOTS. Like Clooney (and perhaps Redford before him) he uses his star power to make serious movies, with the most famous being LAGAAN. Here, in MANGAL PANDEY: THE RISING we look at this story of one of the respected heroes of Indian cultural memory.
On the surface, the film continues the popular David vs. Goliath anti-imperialist genre we find in such films as THE TEN COMMANDMENTS, KING OF KINGS, LION OF THE DESERT, THE BATTLE FOR ALGIERS, some revisionist westerns like THE OUTLAW JOSEY WALES, the TV miniseries MASADA, BRAVEHEART,