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Martin Scorsese & Co. reassemble Woodstock

NEW YORK -- They said making a movie about Woodstock was like . . . three days without sleep. The cameramen all wired together, with Wadleigh shouting instructions over the earphones. And Don Lenser crying during the Airplane's set, crying…

Interviews

Interview with Pat Boone

Pat Boone (you once made him cry when you said good-by) will be 36 in June, and he wears fancy leather spats these days instead of the white bucks, but his face is still unlined, his eyes are still bright,…

Interviews

Interview with Rick Herland

The phone rang a week ago and the guy on the other end said he was a movie producer. He was home for Thanksgiving to visit his folks in Evanston, he said, and he thought he'd give me a call.…

Roger Ebert

"Medium Cool" on multiple levels

A fourth viewing of "Medium Cool" convinces me more than ever that this is a great American document, one of the most important films of this political and social period. It's also evident, this time around, that "Medium Cool" succeeds…

Interviews

Doris Lessing comes to town

Sinking into an overstuffed chair in Studs Terkel's apartment with her legs curled beneath her, Doris Lessing looked small, vulnerable (and in the best sense) catlike. It was Sunday afternoon and she was sipping brandy and listening to stories about…

Interviews

Mae West Stories

HOLLYWOOD -- A couple of months ago, Mae West sauntered into Arthur Knight's film class at USC, put her hand on her hip, took her time looking around the room, and finally said: "Hello, boys." It was a co-ed class.…