
The Best TV of 2025 (So Far)
The 18 shows of 2025 that you need to have seen to talk about TV this year.
The 18 shows of 2025 that you need to have seen to talk about TV this year.
Despite this being a path to the end of the series, it will end with a bang instead of a whimper.
“Nautilus” is fun to watch and feels ever so slightly subversive.
Season 3 plays largely the same game as the previous season, with an added dose of tortured pathos.
On balance it’s one of the most buoyant and joyous pieces of television I’ve experienced in years.
A series with no discernible story, character development, or sense of purpose.
“Melrose Place” on the seas.
The seriousness of this season has transformed the show for good.
It’s really the cast that helps elevate “Revival,” particularly Scrofano, who carries the entire piece on her resolute shoulders.
“Stick” embraces clever and snappy, sitcom banter while serving up a cocktail of sports comedy and warm-hearted dramatic beats.
What’s new on Netflix! Alfred Hitchcock, Ben Affleck, Led Zeppelin, and LEGOs!
A Chicago legend looks back at one of its greatest unsolved cases, now the subject of a hit Netflix series.
It feels like another product of a streaming company’s mandate to boost their “hours watched” stats instead of a length that has been considered right for the story that’s being told.
As with most of these shows, the success of “Adults” comes down to casting.
Despite the elegant production design and admirable effects, “Murderbot” feels like a sci-fi comedy still searching for identity.
Despite the occasional unevenness, it’s one of the most promising comedies to hit television in recent memory.
The sketches that work best do so in spite of the scatology, not because of it.
Josh Holloway is back in a fun throwback show that works when it remembers to be escapism.
Season 2 continues the show’s episodic tradition in fine form, while finding a few corners in which to shake up Charlie’s world.